1941 (1979)
“They’re parachuting murderers into these hills!”
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Genres, Themes, Actors, and Directors:
Response to Peary’s Review: … “it becomes increasingly stupid.” Indeed, it’s “alternately smutty, racist, cruel (unless you think watching someone’s house slide off a cliff is funny)” and “it is always wasteful of its large budget.” He notes that given that “screaming, explosions, fights, car and plane crashes, and destruction in general seem to be the order of the day:” … “one can understand why in the best scene officer Robert Stack would stay away from the chaos in the streets and tearfully watch Dumbo.” (This character and his actions were based on real life.) The rest of Peary’s short review of this critical failure — though it did fine at the box office — lists the truly astonishing number of big-name actors either co-starring or making a cameo appearance — including John Belushi (as Captain Wild Bill Kelso): … Treat Williams (playing an effectively cartoonish baddie): … Dan Aykroyd, John Candy, and Ned Beatty: … Toshiro Mifune (as Commander Akiro Mitamura): … Christopher Lee (as Captain Wolfgang von Kleinschmidt): … Sam Fuller: … Warren Oates (as Colonel ‘Madman’ Maddox): … and many, many others. Blink and you’ll miss Patti LuPone (seen here — blinking): … and, naturally, Dick Miller makes an appearance as well. Notable Performances, Qualities, and Moments:
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3 thoughts on “1941 (1979)”
Whilst I do think this film is ungoverned in it’s conception (Bob Gale, Robert Zemeckis) I do think it’s well directed and he manages to make it all hang together.
I disagree with the cruel and racist jibes though. Cruel: it’s a zany cartoon akin to Looney Tunes so there’s little emotional content really, just laughs and gags. Racist: it makes everyone (Americans, Japanese, Germans) look daft and foolish and they’re *all* stereotypes. I do think it’s fairly sexist and smutty however, but it reflects the era it was made in (1979) and the era it depicts (1941).
Not must-see.
Over the years… I have tried several times to at least get through this movie *once*. So – true, I can’t give an accurate assessment. But it does seem to me that, as a film gets to its midway-point, it should give *some* indication of whether or not it’s worth the time it takes to watch it. Myself – based on what I did watch, I can’t seem to get beyond a feeling of ‘Ugh.’ as it plods along.
This was my first time making it through this film. I tried watching it ~20+ years ago when I was starting to get serious about seeing all the titles in Peary’s book, and I was so turned off I stopped within half an hour (at most).
I didn’t struggle as much this time because I focused instead on production values, Looney Tunes references, etc. – and I appreciated reading up on Spielberg’s intentions on wanting to make a comedy at that pivotal early point in his career.
But I won’t be revisiting.