Rocco and His Brothers (1960)
“The whole world’s like a one-way street.”
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Review: … but our attention quickly turns to Salvatori, who looks the part of the boxer he soon becomes: … and whose infatuation with Girardot sparks his downfall. Meanwhile, Delon (“Rocco” of the title) becomes the primary focus of the storyline once he takes up boxing himself — and also falls for Girardot. However, it’s Delon’s hardcore family loyalty which ultimately drives his actions to a fault, serving as an unwavering narrative throughline. While we learn a bit about Cartier and Vidolazzi (the youngest two sons), primary tensions continue to circulate around Salvatori, Delon, and Girardot: … as well as Salvatori’s mounting debts. The film is beautifully photographed (by DP Giuseppe Rotunno) — with effective location shooting throughout Milan — and features fine acting by the leads. Although it’s a bit of a long haul at nearly three hours, it’s worth the investment. Note: This was the film that introduced Francis Ford Coppola to composer Nino Roti, who scored his Godfather movies (among others). Notable Performances, Qualities, and Moments:
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