36 Hours (1964)
“When things are going along too smoothly, you can’t help but be a bit suspicious.”
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Review: And the ruse works — at first: … until suddenly Garner suspects something’s up, and the house of cards comes tumbling down. The tension from there lies in how Garner will handle this news, how his capturers will receive what he’s forced to tell him (is he lying?), and whether the other sympathetic players in the narrative (Taylor and Saint) will turn out to be allies or enemies. The final half-hour turns into an escape plot that drags the storyline out unnecessarily, but this flick remains worth a look simply for its thought-provoking premise. Notable Performances, Qualities, and Moments: Must See? Links: |
One thought on “36 Hours (1964)”
Rewatch (5/13/22). A once-must, as an all-around good show.
I’ve always had a fondness for this film. Clever idea; well-written and directed and nicely played by its able cast. Tension and suspense build in a satisfying way. I wouldn’t agree that the film drags as it draws to its conclusion.
It’s a particularly unique entry in the canon of WWII films.