Hollywood Knights, The (1980)
“Everything changes — remember that; nothing stays the same.”
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Response to Peary’s Review: Peary asserts that while Mutrux — who also directed Dusty and Sweets McGee (1971) and American Hot Wax (1978) — tries to combine elements from Animal House and American Graffiti,” he “only manages to show how much better those films are in comparison to their imitators”; and he notes that while “the film does have some funny shots,” the “tastelessness wears thin.” With that said, he points out some of the film’s highlights, which include the “interplay between adulterous Leigh French and lover Richard Schaal, who can’t keep their hands off each other”: … “the two cops — one who sings the fabricated lyrics to ‘Lawrence of Arabia'”: … and a scene between Wuhl and Drescher in which Wuhl “loses his ‘lover’ image.” Less successful than the sporadically amusing juvenile humor are the “serious storylines”, in which “one guy has joined the army”: … and “Tony Danza worries that girlfriend Michelle Pfeiffer will forget him if her upcoming screen test is successful.” Nothing with Danza in it seems to suit the overall tone of the film. However, Pfeiffer fans will surely appreciate seeing her here in her first cinematic role; she’s quite luminous. Notable Performances, Qualities, and Moments: Must See? Links: |