“You try any funny stuff on me, buster, and I’ll slice you up like a jigsaw puzzle.”
As two ex-cons (Duncan McLeod and Robert Rudelson) wait until closing time to rob the safe of a topless dancing club, the club’s owner (Paul Lockwood) is lured to the home of a madam (Lavelle Roby), where he’s seduced by an Amish woman (Jan Sinclair) as well as Roby herself. Meanwhile, Lockwood’s sexually unsatisfied wife (Anne Chapman) has a guilty affair with the club’s bartender (Gordon Wescourt), and all three end up unwittingly involved in the heist back at the club.
Genres, Themes, Actors, and Directors:
- Russ Meyer Films
Response to Peary’s Review:
Peary writes that this “piggy Russ Meyer film… probably won’t please even his diehard fans”, given that it “has none of the typical Meyer humor” and “even has a cruel edge to it.” He adds the unnecessary comment that “of course, the women have large chests; but they’re not particularly pretty — they’re the types who show up in stag films” (!!!). Vincent Canby’s review for the NY Times is a bit more delicately worded, if similarly dismissive: “Meyer’s sole preoccupation with extraordinarily well-developed female breasts, usually photographed from a low angle and while they’re in some sort of motion, is no longer particularly erotic.” (And kudos to Canby for introducing me to the new term “satyriasis.”) To Meyer’s credit, he perfectly captures the essence of the “male gaze” in the creatively shot and edited opening sequence of this film, which remains its artistic highlight.
Redeeming Qualities and Moments:
- The cleverly filmed opening sequence
No; this one is only must-see for Meyer fans.