“If there’s one thing I have learned from this trip it’s that you play the game, and take what you get.”
A book editor (Gene Wilder) meets a beautiful secretary (Jill Clayburgh) while travelling onboard a train called the Silver Streak. After seeing the man Clayburgh works for hanging dead outside a window, he panics but can’t get anyone to believe him — until a fellow passenger (Ned Beatty) reveals his true identity, and Wilder later meets a thief (Richard Pryor) who attempts to help him catch the murderers.
Genres, Themes, Actors, and Directors:
- Gene Wilder Films
- Jill Clayburgh Films
- Mistaken or Hidden Identities
- Ned Beatty Films
- “No One Believes Me!”
- Richard Pryor Films
- Road Trip
- Trains and Subways
Directed by Arthur Hiller and scored by Henry Mancini, Silver Streak was the first of four on-screen pairings between comedians Gene Wilder and Richard Pryor, who next teamed up for Stir Crazy (1980). Of Silver Streak, screenwriter Colin Higgins — best known for scripting Harold and Maude (1971) — stated in an interview, “I had always wanted to get on a train and meet some blonde. It never happened, so I wrote a script” — thus explaining the rather haphazard nature of the storyline, which tosses in every action-murder-mystery-romance convention in the book, plus race relations, a plucky female pilot, and a bit of a buddy theme. It’s competently made and acted, but doesn’t hold one’s attention in the same way as Hitchcock’s The Lady Vanishes (1938) or Sidney Lumet’s Murder on the Orient Express (1974), which it seems to aspire towards.
Redeeming Qualities and Moments:
- Good use of a train as a primary locale
No, though you may want to check it out if you’re a fan of Wilder or Pryor.