Seventh Heaven (1927)

Seventh Heaven (1927)

“Never look down; always look up!”

A French prostitute (Janet Gaynor) browbeaten by her abusive sister (Gladys Brockwell) finds comfort and transformation in the arms of a streetcleaner (Charles Farrell) — but when World War I descends, Farrell enlists and the newly married couple must sustain their love from afar.

Genres, Themes, Actors, and Directors:

  • Frank Borzage Films
  • Janet Gaynor Films
  • Play Adaptations
  • Prostitutes and Gigolos
  • Romance
  • Silent Films
  • World War I

In Alternate Oscars, Peary argues that Janet Gaynor’s popularity both “with the public and within the industry” helped land her the first ever Best Actress Academy Award, for “three good [but not great] performances” in 1927-28 — including her role here as a downtrodden young waif whose life is redeemed by a charitable former “sewer rat”. Despite solid direction by Frank Borzage, nice use of Expressionistic sets, and Gaynor’s sympathetic lead performance, the film unfortunately hasn’t aged all that well — primarily due to its overly simplistic storyline (based on a popular Broadway play), which doesn’t really have anywhere interesting to go once Gaynor is rescued from her sorry plight — speaking of which, Brockwell is a caricature of Evil rather than a three-dimensional character — and the young couple realize they’re in love. The imminence of World War I makes for a convenient narrative hitch — but Gaynor and Farrell’s promise to “come to each other” at 11:00 each day is simply sappy, and the utterly unrealistic ending will have your eyes rolling. Ultimately, this one is only must-see for diehard enthusiasts of silent films, and/or Oscar completists.

Redeeming Qualities and Moments:

  • Janet Gaynor as Diane
  • Lovely Expressionist sets

Must See?
No, though it will be of interest to fans of Borzage, silent films, and/or Oscar winners. Listed as a film with Historical Importance in the back of Peary’s book.


One thought on “Seventh Heaven (1927)

  1. Agreed, not must-see. This overwrought romantic drama has not aged well at all. Most of it comes off as so overdone that it becomes difficult taking it seriously.

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