“Now it isn’t that I don’t like you, Susan, because, after all, in moments of quiet, I’m strangely drawn toward you, but — well, there haven’t been any quiet moments.”
When a wacky heiress (Katharine Hepburn) falls for a nerdy paleontologist (Cary Grant), she does everything in her power to keep him at her side.
Genres, Themes, Actors, and Directors:
- Barry Fitzgerald Films
- Cary Grant Films
- Howard Hawks Films
- Katharine Hepburn Films
- Living Nightmare
- Mistaken Identities
- Romantic Comedy
Response to Peary’s Review:
Howard Hawks’ “zany, lightning-paced screwball comedy” received a scathing review from The New York Times upon its release, where it was panned as simply one predictable comedic gag after the other: “After the first five minutes of the Music Hall’s new show—we needed those five to orient ourselves—we were content to play the game called ‘the cliche expert goes to the movies’ and we are not at all proud to report that we scored 100 percent.” Indeed, …Baby bombed at the box office, Hawks was fired from his next production, and Hepburn was forced to buy out her contract. Nowadays, however, Bringing Up Baby is recognized as a true classic of 1930s cinema, with hilarious dialogue, countless well-executed pratfalls, and excellent comedic performances by both Grant and Hepburn (who is accurately described by DVD Savant as “a female cross between Bugs Bunny and Groucho Marx”). As Peary notes, however, “your enjoyment of the film may depend on how long you can tolerate” watching Hepburn mischievously causing one problem after the other for Grant; indeed, in order to fully appreciate Bringing Up Baby, you must give yourself over to its inspired lunacy, and rest assured that everything will turn out — as it should — just fine in the end.
Redeeming Qualities and Moments:
Yes. This classic comedy should be seen at least once by all film fanatics.
- Genuine Classic
- Historically Relevant
- Important Director
- Noteworthy Performance(s)
(Listed in 1001 Movies You Must See Before You Die)