“She’s the only person alive who knows that we were in that apartment last night.”
A British actress (Anna Lee) tries to get back to New York in time to save an innocent man from being put to death.
At only 69 minutes, Robert Stevenson’s Hitchcockian thriller zips along at a fast pace, allowing us just enough time to ogle the fantastic set designs in the film’s luxury “non-stop” aircraft. Viewing this airplane-cum-cruise ship, it’s impossible not to salivate — if only cross-country flying was actually this plush! (Especially enviable is the heroine’s ability to step outside the plane and feel the wind blowing across her face…) The story itself is slight yet enjoyable, with Anna Lee’s radiant smile lighting up the screen, and hulking Francis Sullivan a suitably menacing mobster.
Redeeming Qualities and Moments:
- Anna Lee as the plucky actress determined to save a falsely accused man from dying
- Francis Sullivan as the sinister mobster
A fascinating glimpse of an early (likely science-fictional) luxury aircraft
No, but it’s recommended. Listed as a Sleeper in the back of Peary’s book.