Love of Jeanne Ney, The (1927)
“Six years in this country… and not one pleasant memory.”
Synopsis: |
Genres, Themes, Actors, and Directors:
Review: In this case, we see the travails of not only the titular character, but her hopelessly naive blind cousin (Helm will be recognizable to film fanatics as Maria in Metropolis), who not only lives with a money-obsessed father: … but falls for the nasty, rat-like Rasp (seen here groping a kiss with Jehanne while holding clueless Helm’s hand: In another minor but thematically relevant scene, Jehanne watches a beautiful young bride sobbing quietly during her festivities: … before being swept into an embrace by her enthusiastic new husband. What’s most consistently impressive about Pabst’s work is his visual style, on ample display here. Unfortunately, the narrative — including a bit about a diamond-swallowing parrot (!): — is pure pulp, and doesn’t really satisfy. This one is only must-see viewing for Pabst enthusiasts. Redeeming Qualities and Moments: Must See? Links: |
One thought on “Love of Jeanne Ney, The (1927)”
First viewing. Not must-see.
As stated, fans of director Pabst will, no doubt, be curious. Esp. in the first half, his style is impressive visually and there is some arresting imagery – as well as marvelous attention to detail in the production design.
Unfortunately, in the somewhat more-contrived second half (in which the story’s political aspect is suddenly downplayed), the film has a surplus of scenes that are either awkward or cause it to drag – and a significant turn in the storyline isn’t believable.
In her post-‘Metropolis’ role, Helm retains her striking presence.