End of St. Petersburg, The (1927)
“It’s all the bald one’s fault, your honor.”
Genres, Themes, Actors, and Directors:
… and the storyline once again showcasing someone who naively betrays a comrade, then has a change of heart and joins the movement.
As noted in Cinesavant’s review, there is plenty of “furious fast cutting”; indeed, Pudovkhin’s masterful use of montage to build tension and perspective was legendary. The following abbreviated set of stills shows, for instance, how he builds up to the climactic firing on the Winter Palace:
Close-ups of “heroic” faces are interspersed with group shots, weaponry, statues, and buildings — occasionally repeated or provided in a closer-up view — to show how collective and coordinated the effort was. It’s impressive editing work for sure, and those interested in early Soviet cinema will certainly want to check it out — but it’s not must-see viewing for all film fanatics.
Redeeming Qualities and Moments:
One thought on “End of St. Petersburg, The (1927)”
First viewing. In agreement with the overall assessment given; not must-see.