Sergeant Rutledge (1960)
“White women only spell trouble for any of us.”
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Genres, Themes, Actors, and Directors:
Review: The movie is told as a courtroom drama, in which we’re first led to believe Towers will portray a stereotypical White damsel-in-distress at the mercy of a “dangerous” Black man. Soon, however, we learn that Strode has saved her life from an Apache raid, and Towers is actually a reasonable, non-bigoted female protagonist who is justifiably indignant about the claims made against Strode. The rest of the storyline — who did rape and kill “Miss Lucy”, and who shot wounded Strode? — is effectively handled, as we’re kept in suspense about various potential culprits for each crime until the very end. Meanwhile, we’re shown non-stereotyped Black soldiers interacting and carrying out their duties in a way that should have been much better represented in cinema of the era, but — of course — wasn’t. (Watch for Juano Hernandez in a key supporting role.) Ford’s film remains a critical step in the direction towards more authentic racial representation on screen, and is thus must-see viewing for its historical significance in cinema. Note: Strode and Ford remained real-life friends until his death. Notable Performances, Qualities, and Moments: Must See? Categories
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One thought on “Sergeant Rutledge (1960)”
First viewing. Agreed; a once-must for its historical significance – and the assessment points are well-stated.
Ford’s direction is typically strong and Strode gives a noteworthy performance.
I wouldn’t say that the progression and resolution of the plot are filled with palpable suspense; it’s not that difficult to see in which direction the film will ultimately lead (tho the ‘reveal’ is a tad OTT) but that doesn’t really matter, considering the film’s main point. It’s still a brave film for the period and an instructive one.