Genres:
- Aspiring Stars
- Blake Edwards Films
- Gender Bending
- Historical Drama
- James Garner Films
- Julie Andrews Films
- Mistaken or Hidden Identities
- Musicals
- Robert Preston Films
- Singers
Review:
Husband-and-wife team Blake Edwards and Julie Andrews reached an artistic plateau in this culmination of their cinematic interest in mistaken identities, gender-bending, and the performing life. Andrews plays a likable, plucky heroine we can’t help rooting for; thankfully, sufficient time is provided for us to get to know her and sympathize with her plight.
Preston is delightful as her supportive new roommate, and convincing as a gay man; his final dance performance (completed in a single take) is a hoot.
The humor — including plenty of Edwards’ signature slapstick — is broad but suitable, and mostly works, with a highlight including the extended “cockroach in my salad” restaurant sequence.
A minor quibble is that we’re shown a few too many shots of Garner looking at Andrews with skepticism before learning the truth about her gender (we get it, already):
… but their subsequent complicated romance plays out authentically, as Garner must continue to confront his own homophobia while Andrews stands up for her professional needs.
Redeeming Qualities and Moments:
- Julie Andrews as Victor(ia) (nominated by Peary as one of the Best Actresses of the Year in Alternate Oscars)
- Robert Preston as Toddy
- Fine period sets and costumes
- Luminous cinematography
- Henry Mancini’s score
Must See?
Yes, for Andrews’ performance and as an overall enjoyable show. Listed as a Cult Movie in the back of Peary’s book.
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One thought on “Victor / Victoria (1982)”
Agreed – a once-must, for Andrews’ performance and as an example of what director Edwards could accomplish with a comedy when he put his (better) mind to it. (I’m not a fan of the bulk of his ‘comedic’ work.)
I saw this around the time it was released – then once again, years later. (I also saw a recording of the stage version, with Andrews re-creating her role.) Though I didn’t think it was perfect, I didn’t think it particularly had to be. ~especially since it had agreeable things to ‘say’ about sexual (and gay) politics.
I enjoyed Andrews – as well as Garner, Preston, Lesley Ann Warren (though her spunky role is under-written) and Alex Karras… and Mancini’s score.
It didn’t end up being a personal favorite – but it’s very gay-friendly, and that’s a fine thing for a film to be!