“As far as they’re concerned, I’m hanging by the neck already!”
Response to Peary’s Review:
Sadly, I disagree on all counts. Lane’s performance comes across as poorly directed:
… and the outcome of nearly every scene is predictably telescoped; as noted in the original New York Times review by Frank Nugent, “It’s not even fun anymore, outguessing the script” of a film which lies in “an apparently interminable line of melodramas about the fate-dogged boys from the wrong side of the railroad tracks.” Several key factors play against the film’s success. First, Garfield has a chip on his shoulder from the get-go: we never have a chance to see him as anything but a bitterly doomed protagonist who can’t seem to avoid fighting at the worst times.
Meanwhile, the world Garfield and Lane inhabit is too neatly black-and-white, with most primary characters either out to get the couple, or convinced they’re just a plucky pair needing a decent job.
Most egregiously, there’s no way Garfield and Lane would or could have a chance at marital bliss once they initially run away from the law; I know this was a different era, but isn’t it inevitable they’ll be found? The most labored scene shows Lane attempting to strike out on her own due to the sheer exhaustion of being on the lam, only to realize within a few minutes that being with Garfield is worth it no matter what (though nothing has changed about their circumstances).
Call me a sourpuss, but I wasn’t engaged by this one at all.
Redeeming Qualities and Moments: