“One day people will be able to choose more than one way to live.”
Genres, Themes, Actors, and Directors:
Response to Peary’s Review:
However, “they must keep on the move (their photos are in the paper), and their money runs out. They have nothing to eat. They fall into despair, and realize there is only one solution.” Peary adds that while this “film is often lumped with A Man and a Woman, that other famous European romance of the ’60s,” “this is far superior.” He refers to it as “poetic, yet unsentimental,” “with excellent, intelligent acting by Berggren — his character is very likable and interesting”:
… and “the lovely presence of amateur Degermark” (whose real life took a tragic turn in the years after her brief acting career.)
Peary also calls out the “gorgeous cinematography” of “faces, countryside, [and] provincial towns” by Jorgen Persson, and “a compelling theme which appealed to the drop-out-and-love generation.” He points out that the “picture has several memorable moments, including: Sixten’s apology to Elvira”:
… “Sixten inquiring about his children”:
… “hungry Elvira eating flowers and wild mushrooms”:
… and more. Others that stand out to me include a servant shyly showing Elvira how to knit and sew:
… Elvira rigging an impromptu slack-rope to practice her walking on:
… and Elvira’s enjoyment of a visiting string quartet.
While it’s challenging to go into this story knowing the tragic outcome, the film itself remains a surprisingly lyrical and absorbing tale of star-crossed lovers in their final days together.
Notable Performances, Qualities, and Moments: