“It was the custom of these pirates to subdue their prey, loot the ship, bind their captives and blow them up.”
A duke (Douglas Fairbanks, Sr.) who escapes the marauding of a merchant vessel by a band of cutthroat pirates seeks revenge and earns his way into their graces, soon helping them single-handedly take over another ship — this one with a beautiful maiden (Billie Dove) on board. Can Fairbanks save Dove from a terrible fate while eliciting support from the nearby government?
Genres, Themes, Actors, and Directors:
- Douglas Fairbanks, Sr. Films
- Silent Films
This Douglas Fairbanks, Sr. film is one of only two listed in Peary’s GFTFF, along with The Mark of Zorro (1920) (though I’ve also included The Thief of Bagdad as a missing title). The Black Pirate is notable not only for Fairbanks’ agile derring-do — on ample display, as always — but for its use of an early two-strip Technicolor process. A couple of especially memorable scenes include Fairbanks slicing down the sails of a captured pirate ship with his dagger:
… and the final rescue scene involving a crew of nimble men in swimming shorts:
However, while it’s pretty to look at and Fairbanks is as impressive as ever, the storyline is nothing more than a boy’s fantasy writ large, including hidden treasure, walking the plank, and plenty of pirate-y mischief; it was accurately described by Mordaunt Hall of the New York Times as “a series of robust scenes slung on a slender thread of a story.” This one is will be of interest to Fairbanks fans (or silent film lovers), but isn’t required viewing for all film fanatics.
Redeeming Qualities and Moments:
- Several enjoyable action scenes
- Impressive two-strip Technicolor
No. Listed as a film with Historical Importance in the back of Peary’s book.