“We’re ashamed of your goings-on in this town… It’s a shame and a scandal in the community!”
A country doctor (Will Rogers) dating a widower (Vera Allen) must endure the mean-spirited gossip of his dissatisfied small-town clients.
In the first of his three collaborations with director John Ford, famed showman and journalist Will Rogers (the “most popular actor in America” in 1934) embodies the homespun persona so beloved by his many fans: a down-to-earth, quick-witted individual who must fight quietly yet insistently against provincialism. His Dr. Bull is a well-meaning, laid-back physician whose refusal to indulge the whims of his small-minded patrons — or care much about their incessant gossip — ultimately puts his career in jeopardy; while he eventually “saves the day” (in classic Hollywood fashion), he’s never portrayed as anything other than a three-dimensional, flawed human being. Far from heroic, Dr. Bull is in fact boyish and immature in many ways: he still lives with his elderly aunt, is unable to get serious with his long-time “acquaintance” (Allen), and enjoys — perhaps a bit too much — tweaking the sensibility of his priggish female neighbors (when passing by a group of churchgoing women standing near a graveyard, he nonchalantly mortifies them by asking, “What’re y’all gathered here… Whatsa matter — somebody get out?”). While Dr. Bull is widely considered to be the least of Rogers’ three films with Ford, it will — naturally — be of interest to fans of this early American icon.
Redeeming Qualities and Moments:
- Will Rogers as Dr. Bull
No, unless you’re a Will Rogers fan or a John Ford completist.
Posted on August 2nd, 2008 by admin
Filed under: Original Reviews