“I’m truly very happy — happy to see that, thanks to my wife, your widowhood is not too hard for you.”
The wife (Stephane Audran) of a small town mayor (Claude Pieplu) carries on a torrid affair with her husband’s married deputy (Michel Piccoli); soon they’re driven to spousal murder by their uncontrollable lust for one another.
- Claude Chabrol Films
- French Films
- Plot to Murder
While this Hitchcockian thriller by Claude Chabrol doesn’t tread much new ground in its treatment of adulterous lovers who are driven to murder, it remains a reasonably entertaining satire of the foolhardy passions which often simmer beneath the veneer of bourgeois respectability. The most enjoyable character in the film (despite his pigheaded, corrupt demeanor) is undoubtedly Claude Pieplu as the cuckolded husband who takes what he believes will be sweet revenge on his philandering wife; his reaction to learning about her affair is both classic and original. Less satisfying is the odd denouement, which hinges entirely on the emergent morality of Audran’s beautiful teenage daughter (Eliana De Santis) — unfortunately, she’s not a strong enough character (as written) to make this plot device convincing. Although Wedding in Blood has been lauded by many critics as one of Chabrol’s best outings, I can’t quite agree.
Redeeming Qualities and Moments:
- Claude Pieplu as Audran’s cuckolded yet cocky husband
- Audran and Piccoli’s ridiculously passionate love affair
No, but it’s worth viewing once. Listed as a film with Historical Importance (although I’m not sure why) and a Personal Recommendation in the back of Peary’s book.