“I cannot — yet I must. How do you calculate that?”
An alien named Ro-Man plots to kill the remaining six Hu-Mans on earth — a mother (Selena Royle), her professor-husband (John Mylong), their two young children (Gregory Moffett and Pamela Paulson), their grown daughter (Claudia Barrett), and Barrett’s boyfriend-scientist (George Nader) — who are protected from his death ray by a neutralizing serum. But when Ro-Man falls for Barrett, he finds his annihilation impulses in conflict.
Response to Peary’s Review:
Peary notes that this “laughably lousy sci-fi film, made for $20,000 in LA’s Bronson Canyon” “gets more ludicrous as it goes along” — then he spends the rest of his review detailing exactly how inept it is, and essentially dismissing it as outright dreck. Other online reviews (see links below) provide a more detailed skewering, combined with admiration for all the many ways in which the film presumably deserves its bad-movie cult status: Richard Scheib notes that “the cheesiness of its ineptitude provides… an enormous degree of sheer entertainment value”, while DVD Savant argues that it is actually “very entertaining” and will “bring a smile to anyone’s face”. A redeeming perspective of sorts does emerge near the end, when we learn exactly what the entire adventure has been based on, and many aspects — including the jarring incorporation of “stock footage” such as “a lengthy sequence of prehistoric monsters fighting taken from One Million B.C.” — come into somewhat clearer focus. Watch for the infamous “ending in which Ro-Man emerges from a cave three times in succession (the shot is repeated)”, which “may have inspired Edward D. Wood” when making Plan 9 from Outer Space.”
Redeeming Qualities and Moments:
- Countless ludicrously bad elements: costumes, set, storyline, acting, dialogue…
Yes, once, simply for its cult infamy. Maybe it’s the type of film that grows on you (and most definitely requires a bad-movie-appreciating crowd to enjoy).