“I have a perfect right to be excited! I’ve been here for a year and a half, and this place is doing me harm!”
In his debut film, Frederick Wiseman documents the lives of criminally insane inmates at the Massachusetts Correctional Institution.
Genres, Themes, Actors, and Directors:
- Mental Illness
Frederick Wiseman’s first documentary showcases his signature “cinema verite” style: hand-held cameras, extreme close-ups, fly-on-the-wall observations, lengthy shots, and judicious back-and-forth editing. As in his next film, High School (1968) , Wiseman takes a no-holds-barred approach to his sticky subject matter, never flinching from even the most uncomfortable interactions. In one particularly memorable scene, a starving man is force-fed through his nose; in another, a paranoid schizophrenic pleads to be sent back to a “regular” prison, but — stuck in a Kafka-esque nightmare — nothing he says to his jailers makes any difference. On a broader level, inmates in the film routinely walk around without any clothes on (there’s plenty of full frontal nudity), and are frequently patronized by both guards and doctors. It’s easy to see why the Commonwealth of Massachusetts was upset enough with the film to sue Wiseman and his cohorts; Massachusetts won, and the film was immediately removed from circulation.
Redeeming Qualities and Moments:
- A no-holds-barred look at daily life for criminally insane inmates
- Effective use of close-ups and hand-held camerawork
Yes. This controversial documentary holds a unique place in history, and should be seen by all film fanatics.
- Controversial Film
- Historically Relevant