Train, The (1964)
“No one’s ever hurt — just dead.”
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Review: … we are taken on a wild ride (literally) of cat-and-mouse maneuvering between determined Colonel Von Waldheim (“The paintings are mine; they always will be! Beauty belongs to the man who can appreciate it!”) and equally determined, highly agile resistance fighter Paul Labiche (“You know what’s on that train? Paintings. That’s right — paintings; art. The national heritage — the pride of France. Crazy, isn’t it?”). With no models used (all action was real), the film possesses a consistently heady air of real-life danger, with one expertly filmed action sequence after the other — including a railway station bombarded through “140 separate explosions and a ton of T.N.T., two thousand gallons of gas and twenty two cameras.” Watch for Michel Simon as a sabotaging train engineer: … and Jeanne Moreau as a gradually-sympathetic supporter who serves as an almost-love-interest to Lancaster. Notable Performances, Qualities, and Moments:
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