Adventures of Buckaroo Banzai Across the Eighth Dimension, The (1984)
“Anything’s possible.”
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Response to Peary’s Review: Peary adds that “as played by Peter Weller, Banzai unfortunately turns out to be a pretty conventional hero” whose “special skills are never really put to work — it’s as if he has them only so the film’s publicity releases will sound interesting.” He argues that while “Weller is handsome,” he “hasn’t the necessary charisma to play a superhero,” and “his cockiness reflects the attitude of the whole production.” I’m essentially in agreement with Peary’s review, though I think the failings he points out here — i.e., the “chaotic pacing,” “lack of continuity,” and “overabundance of characters who run around in fancy outfits” — are actually what endear the kooky film to its fans. Also of note is Lithgow going beyond over-the-top in an unhinged performance as a Mussolini-like scientist-dictator who’s actually an alien: … and chill Goldblum getting to wear western duds after casually performing life-changing neurosurgery. Meanwhile, Barkin has an entirely thankless role as the female love interest; she spends most of the film either crying and trying to kill herself or being tortured. While I’m not personally a fan of this weird flick, enough are to make it worth a one-time viewing simply for its cult status. Notable Performances, Qualities, and Moments: Must See? Categories
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One thought on “Adventures of Buckaroo Banzai Across the Eighth Dimension, The (1984)”
First viewing (10/3/20). Not must-see – though it seems to have a strong cult following.
It reads like a very ’80s movie. It’s over-stuffed and tries to take on too much for one film.
It does start off well – in terms of energy and exposition. There’s an intriguing atmosphere of ‘What the hell is going on?’
But, as it progresses, the film slowly appears to lose control – as the writing also begins to fall apart and lack of a unifying tone bleeds through. Desperation seems to take over.
I did like Rosalind Cash’s forceful cameo appearance as John Emdall – in which she basically explains the plot for all of us. And, in an underwritten villain role, Lithgow goes absolutely whole-hog with scenery-chewing – which makes us end up wanting him to have more screen-time than he’s given.