Last Frontier, The (1955)
“Civilization is creepin’ up on us, lads.”
Synopsis: |
Genres, Themes, Actors, and Directors:
Review: The storyline centers on differing conceptions of masculinity and success, with Mature wondering if it’s time for him to finally settle down with a wife and kids (he has his eye on Bancroft), and Preston determined to regain his reputation after leading a disastrously lethal charge during the war and being nicknamed The Butcher of Shiloh. Bancroft (how strange to see her as a blonde!) serves as the tension point between the two men; she’s loyal to her husband, but attracted to Mature’s insistent virility: Meanwhile, Mature is, ironically, too immature to handle life at the fort after years in the wild, and quickly makes enemies, especially when drunk (which is often). Will he be able to redeem himself by the end? I found myself surprisingly caught up in this tale, especially the excitingly filmed final shoot-out. However, with that said … SPOILER ALERT: … the film’s very last sequence is jarring and unexpected. According to TCM’s article:
Be forewarned. Notable Performances, Qualities, and Moments: Must See? Links: |
One thought on “Last Frontier, The (1955)”
First viewing. Not must-see.
It starts off well-enough, even somewhat intriguingly, but too soon it begins to feel lethargic and more or less (with its talkiness) stays that way until the concluding semi-battle.
The complications tend to feel forced, the love triangle feels tired and Mature (who is mostly ok) has one longer drunken scene that feels labored.
Still, director Mann seems to do the best he can with what he has to work with.