Ship of Fools (1965)
“There’s prejudice everywhere; it does no good to give it back.”
Synopsis: |
Genres, Themes, Actors, and Directors:
Review: More front-and-center is the shipboard romance between Signoret and Werner, which is both believable and absorbing: Unfortunately, numerous other sub-plots litter the screenplay, ranging from annoying (i.e., Ashley and Segal’s “tortured” romance): … to racist (nearly all darker-skinned characters are portrayed as prostitutes or unwashed masses): … to insufficiently built out (i.e., Marvin’s troubled past): As DVD Savant describes this film in his review, “very little happens besides talk. Most of the actors state their woes in position speeches and many scene-pairings amount to little.” Of minor interest is the role played by Ruehmann, who is given some of the film’s most hopeful lines: … but overall the film is a disappointment. Notable Performances, Qualities, and Moments:
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One thought on “Ship of Fools (1965)”
In 2018 when sent the BD to review I felt …
Katherine Anne Porter’s Ship of Fools (1965)
12 certificate / 150 minutes
⭐️⭐️⭐️
Big, sprawling melodrama set on board a ship headed from Mexico to Germany in early 1933 and the crew and passengers are a microcosm of the world as it moves towards war.
Heaps of great actors all giving splendid performances with no one letting the aide down; perfect lazy afternoon’s viewing. Michael Dunn is particularly impressive as a philosophical, existential man who understands exactly where the world, and specifically Germany is going.
It looks splendid having been shot by Ernest Laszlo largely on soundstages with a minimal amount of location work.
Definitely not a must see.