Genres, Themes, Actors, and Directors:
- Ex-Cons
- Falsely Accused
- Flashback Films
- John McIntire Films
- Julie Adams Films
- Lee Van Cleef Films
- Love Triangle
- Raoul Walsh Films
- Rock Hudson Films
- Westerns
Review:
Based on a highly romanticized memoir by real-life gunman John Westley Hardin, this Technicolor western — directed by Raoul Walsh — is notable for featuring Rock Hudson in his first starring role, and for reuniting Hudson with Julie Adams of Creature From the Black Lagoon (1954) fame after they co-starred in Anthony Mann’s Bend of the River (1952) and Budd Boetticher’s (non-GFTFF-listed) Horizons West (1952).
Unfortunately, there’s not much else to recommend about this movie, given that the storyline is pure hokum clearly drummed up by a man intending to whitewash his own murderous past. We get a brief sense of this through his fiancee (Castle), who rightfully calls him out on his desire for violence:
“You’ll never stop killing… You’re not afraid of anyone, so long as you have a gun. So long as you can kill! … You’ll always have to prove you’re not afraid. You’ll always have to kill to prove it. How do you feel when you kill? Do you feel bad — or do you feel good?”
Meanwhile, the storyline’s rather improbable ending — involving Hudson’s grown son (Race Gentry) — attempts to close the loop on this tentative theme; but none of it is robust enough to turn this into a truly compelling story.
Redeeming Qualities and Moments:
- Some effectively filmed moments
Must See?
No; you can skip this one unless you’re a Walsh or Hudson completist.
Links:
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One thought on “Lawless Breed, The (1952)”
Not must-see.
Standard, rarely mentioned western, with plenty of Hollywood-esque dialogue. To a degree, it has the benefit of director Walsh’s economic flair but it never rises to being more than mildly engaging.
‘Race Gentry’?! Seriously?! That smacks of another star-making ‘brainstorm’ by the same talent scout who created ‘Rock Hudson’: Henry Willson.
At least it’s short: 83 minutes.