“You’re going to think I have an awful dirty mind, David — I change it so often.”
Genres, Themes, Actors, and Directors:
… we’re taken along for a fast-paced ride as Jody-cum-Goldilocks “accidentally” sleeps in a publicity-conscious senator’s house:
… takes advantage of his compassion, then quickly reveals her true nature as a deeply manipulative — and deeply troubled — juvenile delinquent. Ann-Margret is perfectly cast (and appropriately over-the-top) as Jody, a wild-card teen with vicious claws; and while many have ridiculed John Forsythe’s performance as Jody’s “square” counterpart, he does a believable job reacting the way a compassionate yet publicity-paranoid politician most likely would.
Just when we think the heated story is going to remain centered on Jody’s manipulation of David (will this red-blooded male — separated from his wife, no less — give in to Jody’s tempting sexual advances?), several new characters are introduced:
Peter Brown and James Ward are appropriately creepy and cocky as the hoodlum pals who show up on David’s doorstep, and Diane Sayer (equally good in The Strangler, released the same year) adds just the right touch of guilelessness to her role as “Midge”, a female hanger-on given to saying “Guy!” instead of “God!” By the time the story takes us to Tijuana (ever-reliable as a border-town location of crisis and chaos), we’re anxiously awaiting David’s opportunity to finally break free from the clutches of his juvenile hostage-takers; fortunately, the film’s ending — while improbable — is perhaps the most satisfying of all possible outcomes.
Note: Kitten With a Whip was spoofed by the MST3K crew (and can be viewed in 10-minute installments on You Tube), but remains a rare entry in that series which bears watching on its own as well, without commentary.
Redeeming Qualities and Moments: