“Death is never a pretty sight — and you’ll see it again before the hunt is over.”
Genres, Themes, Actors, and Directors:
Response to Peary’s Review:
… and adds that “the villains he confronts aren’t cartoon characters, but complex men with singular motivations for committing crimes”.
While I haven’t see any Tarzan films outside of those listed in GFTFF, I’m in agreement that this is surely among the best. We get authentically caught up in the drama, which features realistic (and scary) settings, plenty of tension, well-filmed action scenes, and memorable supporting roles (including Connery as a naughty villain).
We’re never sure what will happen next, who will die next (or how), and — in particular — what will conspire between scar-faced Quayle and McGinnis (playing a greedy, cunning, bespectacled German completely obsessed with diamonds). While I’m not a fan of Shane’s sexually aggressive American pilot:
… she shows impressive growth throughout the film and “deserves” her ultimate dalliance with Tarzan. This one remains well worth a look — as does its follow-up, Tarzan the Magnificent (1960).
Redeeming Qualities and Moments: