Try and Get Me! / Sound of Fury, The (1950)

Try and Get Me! / Sound of Fury, The (1950)

“Don’t worry: Tyler and his partner will get a fair trial whether they deserve it or not.”

A man (Frank Lovejoy) struggling to provide for his pregnant wife (Kathleen Ryan) and son (Donald Smelick) agrees to work with a charismatic criminal (Lloyd Bridges) who eventually involves him in the murder of a kidnapped hostage. When Bridges hooks up with his girlfriend (Adele Jergens) and Lovejoy is paired with her lonely friend (Katherine Locke), Lovejoy gradually becomes unhinged from guilt; meanwhile, a journalist (Richard Carlson) writes a story about the men’s crime spree, not realizing he is unintentionally inciting a mob.

Genres, Themes, Actors, and Directors:

  • Downward Spiral
  • Frank Lovejoy Films
  • Lloyd Bridges Films
  • Journalists
  • Thieves and Criminals

Peary lists four films by blacklisted director Cy Enfield in his GFTFF: Sands of the Kalahari (1965), Zulu (1964), Mysterious Island (1961), and this crime drama, based on the same real-life 1933 incident that inspired Fritz Lang’s Fury (1936). Try and Get Me! (renamed after it flopped under its original title of The Sound of Fury) was Endfield’s final American film before fleeing to Britain after HUAC destroyed his Hollywood career, and it’s easy to see parallels here of a man mercilessly assaulted by mob “justice”. Indeed, it’s easy to empathize with Lovejoy’s luckless protagonist, whose sweet Irish wife (Ryan) remains loyal in the midst of poverty, and who is essentially bullied into abetting Bridges when no other opportunities for work emerge. With that said, the film isn’t without notable flaws: Locke’s Hazel is annoyingly pathetic, and the inclusion of an Italian mathematician-sociologist (Renzo Cesana) serving as Carlson’s guilty conscience is a baffling misfire. But the film is creatively directed overall, and the final scenes of mobs stampeding the jail where Bridges and Lovejoy are housed are chilling; this unique low-budget flick is worth a look.

Redeeming Qualities and Moments:

  • Frank Lovejoy as Howard Tyler
  • Kathleen Ryan as Judy Tyler
  • Guy Roe’s cinematography

  • Powerfully filmed mob scenes

Must See?
Yes, for its historical relevance as a unique film by a blacklisted director. Listed as a Sleeper and a Personal Recommendation in the back of Peary’s book.


  • Historically Relevant


One thought on “Try and Get Me! / Sound of Fury, The (1950)

  1. First viewing (12/20/18). Agreed; a once-must for its historical relevance. As per my post in ‘The ’40s-’50s’ in Film’ (fb):

    “I’ve never been in trouble before – I don’t know what to do!”

    ‘Try and Get Me!’ (1950): An interesting find. Cy Endfield’s social / crime drama may ultimately seem a little far-fetched but it is nevertheless based on a 1933 incident in San Jose, Ca., in which a mob of citizens managed to get hold of two men convicted of murder, in order to lynch them. Fritz Lang’s 1936 film ‘Fury’ is based on the same incident – but this re-telling is based on a subsequent 1947 novel that the writer (Jo Pagano) himself adapted for the screen. Supporting actor Frank Lovejoy here gets a rare chance at a leading role (opposite a very creepy Lloyd Bridges) – he plays a regular Joe who has the misfortune of needing work badly and, as a result, finding himself the victim of his own poor judgment. The film’s main purpose is in detailing the responsibility of the press (represented by Richard Carlson) in guarding against dictating public emotion. The characters at various levels are rather well-developed and the inter-weaving of those levels is rather compelling. [Side note: Just after making this film, Endfield was branded a Communist at a HUAC hearing and, for a time, was blacklisted as a filmmaker.]

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