San Francisco (1936)
“How does it feel to feel like a woman and be afraid of it?”
Genres, Themes, Actors, and Directors:
Response to Peary’s Review:
He points out that the script by Anita Loos “is one of the first… to deal with a woman experiencing a man-vs.-profession conflict”, and argues that MacDonald “makes a lovely lead” but Gable is just “okay playing his typical tough guy” and Oscar-nominated Spencer Tracy — playing “a priest and Gable’s boyhood chum” — “doesn’t have enough to do.”
He correctly argues that the film’s highlight is its “stunning earthquake sequence, which is famous for its impressive special effects and great montage work” — though he asserts that this “enjoyable film is almost spoiled by a silly finale, in which earthquake victims get carried away with religious fervor.” I’m essentially in agreement with Peary’s review, though I find it more tolerable than “enjoyable” over all, and would simply add that film fanatics should simply be sure to seek out the remarkable earthquake sequence on its own.
Redeeming Qualities and Moments:
One thought on “San Francisco (1936)”
I’d seen this once before – and am rather in agreement with the entire assessment given, so I’ve nothing to add.