Devil’s Disciple, The (1959)
“We don’t arrest them unless we’re going to hang ’em.”
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Genres, Themes, Actors, and Directors:
Review: It’s a curiously told story, with Lancaster’s wife experiencing a rapidly shifting hate-love relationship with Douglas that doesn’t ring realistic, and the final sequences exhibiting more slapsticky physical humor than one would expect in an historical drama about war, treason, and executions. Most noteworthy is Olivier’s supporting performance as a gentlemanly Brit who, along with inept Andrews, represents the distance and disdain that led to England’s eventual defeat in the war. Also of note are the clever, unexpected animated sequences using maps and stop motion: … and Jack Hildyard’s atmospheric cinematography. Redeeming Qualities and Moments: Must See? Links: |
One thought on “Devil’s Disciple, The (1959)”
Not must-see, but not a bad film, esp. for those with a specific interest in how the events of the film play out against the background of the Revolutionary War.
It’s a bit difficult to recommend a film of something that the author himself did not like. Reportedly, Shaw was not fond of that play. He apparently did not find it all that compelling. …Well, as a film, it’s not as bad as all that. While it’s not exactly riveting, it does maintain a steady progression and enough of the dialogue is strong and intelligent.
It’s been noted that – of the three male leads – Olivier comes off best, and I would agree with that. I’m not a huge Olivier fan but I’ll easily applaud him *anytime* he underplays a role. 😉