Synopsis:
Veterans and others involved in the Vietnam War share their memories and thoughts on this devastating era of recent history.

Genres, Themes, Actors, and Directors:

• Documentary
• Veterans
• Vietnam War

Response to Peary’s Review:
Peary writes that this “Oscar-winning documentary” by Peter Davis “builds a strong case that the U.S. presence in Vietnam was based on false assumptions (that the domino theory made sense, that the North Vietnamese could be vanquished by American might, that the South Vietnamese supported their government and desired American assistance) and that American soldiers in Vietnam were conducting an amoral war”. He notes that we “see interviews with pilots who dropped napalm and defoliants on the North Vietnamese; terrified napalmed children running down a road, their bodies burned and skin hanging off their limbs; soldiers burning villages; [and] soldiers rifle-butting prisoners”. He argues that “Davis’s contention is that America’s leaders have been responsible for both our misguided presence in the Vietnam War and the type of war being conducted; but the major theme is that they are the type of leaders Middle Americans want and deserve.”

Having just finished watching Ken Burns and Lynn Novick’s powerful 18-hour docu-series entitled The Vietnam War (2017), I recognized many of the themes presented in Hearts and Minds — though I appreciated seeing them from a much fresher and rawer perspective, before the war itself had come to an end. Indeed, this film was considered “too hot to handle” by financing Columbia Studios, and had to be bought back by producer Bert Schneider in order to be screened. As Peary points out, it’s filled with “much unforgettable footage, properly manipulative editing (such as Vietnamese grieving over their dead, followed by a scene in which [General] Westmoreland says how the Vietnamese don’t care about death the way we do”). Westmoreland’s quote is the most memorably egregious, but others include:

Col. George S. Patton III (reflecting on the American military): “They’re a bloody good bunch of killers!”

Lt. George Coker, returning POW (to a group of Catholic school kids): “What did Vietnam look like? Well, if it wasn’t for the people, it was very pretty. The people over there are very backward and very primitive and they just make a mess out of everything.”

Peary argues that the film makes a strong case for “how deeply rooted are our racism, anti-communism, [and] need to battle an enemy”, and that it’s “not surprising that our solders acted as they did when sent to Vietnam.” Burns and Novick’s mini-series — which all film fanatics (and Americans) should be sure to check out — adds invaluable insight into the soldiers’ perspectives many years later, as they reflect even more deeply on how and why they were able to commit the atrocities they did. Given that Hearts and Minds was made the year before the war finally ended, there were many more years of healing and understanding to come — but as Peary writes, while “today the picture may seem tame… it was as powerful an anti-Vietnam film as had been made until then”, and is certainly must-see viewing.

Redeeming Qualities and Moments:

• Many impactful moments
  
  
  

Must See?
Yes, as an Oscar-winning historical classic.

Categories

• Oscar Winner or Nominee

Links:

• IMDb entry
• Spinning Image Review
• Washington Post Review
• Q Network Review
• TCM Article
• DVD Savant Review