“It only remains for me now to await the daylight hours, where I will with God’s help forever end this man’s reign of terror!”
Genres, Themes, Actors, and Directors:
Response to Peary’s Review:
In favor of the film, Peary writes that the “graphic violence… fits the subject rather than being exploitative”, that the production in general is “well-mounted”, and that “Lee’s madly inspired vampire is terrific: cruel, energetic, intelligent, tall and imposing”.
Peary also points out how the film differs from “Universal’s 1931 Dracula chiefly in that it conveys the sexual nature of vampirism: not only does the vampire become excited when he bites into a victim’s jugular but his victims also relish the experience”. Indeed, according to DVD Savant, this film “made much more explicit the seduction-rape fantasy that underlies vampire mythology.” Savant is much more a diehard fan of this film, referring to it as “the Singin’ in the Rain of horror films — a show that transcends its genre and sums up what’s great about screen terror.” His praise feels hyperbolic to me, but provides evidence of the film’s cult following. Personally, my opinion lies closer to Peary’s: this remains a reasonably enjoyable, historically significant genre flick, but not must-see viewing.
Redeeming Qualities and Moments:
(Listed in 1001 Movies You Must See Before You Die)