“Men should be explorers, no matter how old they are.”
Genres, Themes, Actors, and Directors:
Response to Peary’s Review:
— the remaining old-age home residents (who we know almost nothing about) simply act like selfish “jerks” with “a total lack of compassion”. Ultimately, Peary argues that this film is “not bad, but overrated and filled with Spielberg cliches” — though it was actually directed by Ron Howard after his blockbuster success with Splash (1984).
I agree with Peary’s review, and would add that it’s troublesome how the script fails to sufficiently develop any of the lead elderly characters: we simply learn that Cronyn has cheated on his wife (Tandy) for years (a trait which becomes even more pronounced once he’s given renewed vim and vigor and is freed from cancer); that Ameche finally feels confident dating a sexy dance instructor (Verdon); and that Brimley — shown several times fishing with his doting grandson (Barret Oliver) — will regain his failing eyesight and be able to drive again. We also discover that Guttenberg, lo and behold, will fall for the sexy female alien (Tahnee Welch — Raquel Welch’s real-life daughter, who “looks like a young Ali McGraw with short hair):
and will get to experience alien sex (imagine a special-effects laden version of Woody Allen’s Orgasmatron in Sleeper (1973), taking place in a pool).
But, as Peary notes, all of this simply diverts our attention from the much more intriguing story of the aliens’ rescue mission; their lives and home context are glossed over quickly, with two of the aliens never even saying a word.
Speaking of the aliens, Dennehy gives the best performance in the film as a potentially formidable presence, bulky and domineering yet ultimately an intriguing and kind leader.
Of the elderly folks, Cronyn’s performance as a man given a sudden second chance at life is the most nuanced (though we dislike him for fooling around on Tandy). Ameche won a Best Supporting Actor award, but I’m not exactly sure why he would be considered a better candidate for this than Cronyn.
[On a side note, Ameche gives a wonderful lead performance as “Gino” in David Mamet’s Things Change (1988) — this is the film his fans should watch if they’d really like to see him in a worthy swan song role.] Ultimately, as Peary points out, “it’s great seeing so many fine veteran actors work together, all in good parts”, and “some of their scenes are perceptive and heart-warming” — but Cocoon itself is a minor disappointment.
Redeeming Qualities and Moments: