Nightmare on Elm Street, A (1984)
“Whatever you do, don’t fall asleep.”
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Response to Peary’s Review: … “too many of the nightmares are similar in content”: … and while “there are occasional shocks,” there’s “little suspense.” He further notes that “while the splatter murders are well done, you can’t really respect a film whose highlights feature blood spurting onto walls and ceilings”. He calls the film’s ending “trite and infuriating in that it defies the film’s logic”, and notes that “worst of all”, the “teenagers and adults are [all] unappealing”. Nonetheless, in the years since Peary’s book was published, Nightmare… has gained an increasingly strong cult following, and remains must-see viewing for all film fanatics given its pivotal place in the slasher film genre. Redeeming Qualities and Moments: Must See? Categories
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One thought on “Nightmare on Elm Street, A (1984)”
I agree that, given the number of horror films – in particular, the more contemporary of them, it’s accurate to say that the real ‘musts’ are not all that far from “a handful”.
This one is a must.
‘ANOES’ is among the best films by director Craven, clearly a smart guy. The premise is strikingly original – based as it is on the nature of nightmares and the speculation of what dreams are and where they come from. The fluid blending of the dream world and the real world is remarkable. The film uses its time well and (with what looks like shrewd execution of a limited budget) exhibits mind-boggling use of effects and visuals, accompanied by an unnerving score. Expectations are constantly played against – which brings me to the ending: in a sense, it “defies the film’s logic”…that is, unless the protagonist of the story (Nancy) is asleep from first frame to last. (That works for me!)
Years later, Craven would, of course, go on to make ‘Scream’ – something of a self-parody. Yet, seeing this again, I couldn’t help but notice a considerable number of similarities: the tone is consistent, the humor (if buried) is there, as well as an element that compassionately humanizes the main characters (something missing from many disposable films of this type).
A genuine cult film. Not something I’d want to see all that often but a definite ‘chill ride’.