“I never had any friends later on like the ones I had when I was twelve.”
A writer (Richard Dreyfuss) reflects on his adventures as a 12-year-old (Wil Wheaton) setting out with his buddies (River Phoenix, Corey Feldman, and Jerry O’Connell) to locate the body of a missing neighborhood boy.
Before hitting blockbuster gold with The Princess Bride (1987), When Harry Met Sally (1989), and A Few Good Men (1992), Rob Reiner helmed this adaptation of Stephen King’s novella “The Body”. Framed as a bittersweet flashback film, the storyline centers on a sensitive young male who — like Timothy Hutton’s Conrad in Ordinary People (1980) — is reeling from the sudden death of his beloved older brother (John Cusack). A road trip is conveniently kicked into gear when Gordie (Wheaton) and his friends are presented with a coming-of-age quest they can’t resist: the rumored discovery of a classmate’s dead body, also sought after by a local bully (Kiefer Sutherland) and his gang. Reiner effectively evokes 1950s nostalgia through both period visuals and a finger-snapping soundtrack (including the popular Ben E. King title song); meanwhile, he balances the film’s darker themes and dicey situations (two of the boys are nearly killed by a train) with doses of levity — most famously in a gross-out storytelling sequence involving pie eating and copious vomit. However, unlike in Reiner’s later King-adaptation Misery (1990), the narrative here lacks a sense of either urgency or menace, making Stand By Me more of a sentimental reflection on boyhood bonds than a tale of adventure or deep personal growth.
Redeeming Qualities and Moments:
- The exciting railroad bridge sequence
No, though most film fanatics will likely be curious to check it out once, given its status as a cult favorite. Listed as a Personal Recommendation in the back of Peary’s book.