For a Few Dollars More (1965)
“When two hunters go after the same prey, they usually end up shooting each other in the back.”
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Genres, Themes, Actors, and Directors:
Response to Peary’s Review: … Van Cleef has a very specific reason for hunting down Volontè, which we don’t learn about until the tension-filled final shoot-out. Eastwood’s once-again-nameless, cheroot-chewing gunslinger doesn’t have much to do throughout this film other than squint and participate in cleverly choreographed gun fights: … but of course he’s an essential component of the film’s iconography. Van Cleef (in a role which revived his later-life career) also acquits himself well — though it’s Italian actor Volontè who pulls out the most dramatic acting chops: … and it’s Ennio Morricone’s incomparable score — filled with “twangy jew’s-harps, insanely catchy guitar riffs, iconic whistling, bell tolls, church organs” and a musical pocket watch — which ultimately steals the show. Note: Watch for Klaus Kinski in a memorable supporting role as an outlaw enraged by being used as a human match-striking surface. His interactions with Van Cleef lead to my favorite random exchange of the film.
Notable Performances, Qualities, and Moments:
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One thought on “For a Few Dollars More (1965)”
Revisit (8/17/19). A once-must, for its solid place in cinema history. See my post for ‘A Fistful of Dollars’.