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Month: November 2023

Lone Wolf McQuade (1983)

Lone Wolf McQuade (1983)

“Forget it, kid; I work alone.”

Synopsis:
With help from his eager new partner (Robert Beltran), Texas ranger J.J. “Lone Wolf” McQuade (Chuck Norris) enters into a vicious battle against a psychopathic drug runner (David Carradine) whose girlfriend (Barbara Carrera) falls for Norris.

Genres, Themes, Actors, and Directors:

  • Chuck Norris Films
  • David Carradine Films
  • Drug Dealers
  • Sheriffs and Marshals
  • Westerns

Review:
Chuck Norris does what he does best — stereotypically embody traditional notions of masculinity — in this neo-western which was purportedly inspired by Sergio Leone’s spaghetti westerns. While there’s apparently a popular drinking game in which rounds are consumed upon hearing the term “Ranger” being spoken, I found it more fascinating to focus on how relentlessly one hyper-masculine image or trope after another — guns, explosives, beer, drugs, horses, tanks, turbo-charged cars, helicopters, planes, smoking, seduction — manage to be crammed into this film, ranging from Norris’s initial take-down of a horse thief and his banditos:

… to his single-move slamming of a bully in a bar up onto a pool table:

… to a strategically placed image of bullfighting (I guess they couldn’t justify an actual scene of that!) behind Norris in a later sequence:

… to his chemistry with Carradine’s mistress (Carrera), who has requisite sultriness and allure but was more amusingly memorable as a Bond villainess in the same year’s Never Say Never Again (1983).

Sweater-clad Carradine, meanwhile, seems to be having a ton of fun playing a sadistic baddie who’s equally comfortable blowing people away and showing off his martial arts chops.

In his third film after Zoot Suit (1981) and Eating Raoul (1982), Beltran is well-cast but given too little to do (perhaps inevitably) as Norris’s sidekick; he’s primarily meant to represent a nervous new ranger who learns to overcome his fears and act like a “real” man by heading out guns blazing.

In the image above he’s shown alongside character actor L.Q. Jones, who has some memorable early moments as “Dakota Brown.” Also adding extra quirkiness to the cast is Daniel Frishman as a megalomaniac little person in a wheelchair:

… and William Sanderson — “Sebastian” in Blade Runner (1982) — as a buffoonish drug dealer named Snow, with coke bottle glasses.

Notable Performances, Qualities, and Moments:

  • Good use of location shooting in El Paso
  • Norris and Carradine’s final battle

Must See?
No, though it’s worth a look as an archetypal Norris film, especially given his duels with Carradine.

Links:

Good Guys Wear Black (1978)

Good Guys Wear Black (1978)

“I’m saying we’ve been set up.”

Synopsis:
A former elite CIA assassin (Chuck Norris) collaborates with a fellow vet (Lloyd Haynes) in uncovering a plot by a corrupt politician (James Franciscus) to have all survivors of a certain raid in Vietnam assassinated.

Genres, Themes, Actors, and Directors:

  • Assassination
  • Chuck Norris Films
  • Political Conspiracy
  • Veterans
  • Vietnam War

Review:
Chuck Norris’s first notable role was in this post-Watergate political conspiracy thriller, starting with an action-packed raid in Vietnam which goes terribly wrong.

Flashing forward, we see that Norris is now a graduate student in political science at UCLA, who enjoys racing cars on the side:

… and has no trouble being pursued by numerous beautiful women — including a mysterious reporter (Anne Archer) who he quickly becomes involved with.

Meanwhile, we see Haynes getting increasingly suspicious about a spate of strategic murders taking place across the nation — all involving men who were part of their elite team.

The film takes us across various scenic locales, including a ski resort at Lake Tahoe:

… with bloody sniper kills interspersed at regular intervals. What role does aging alcoholic politician Edgar Harolds (Dana Andrews) play in all of this?

That’s not revealed until much later on; but one thing is guaranteed: we will get to see Norris fighting at least once.

Note: Watch for Jim Backus in a cameo role as a doorman.

Notable Performances, Qualities, and Moments:

  • Dana Andrews as Edgar Harolds
  • Creative sets

Must See?
No; this one is only must-see for Norris fans. Listed as a Cult Movie in the back of Peary’s book.

Links:

Force of One, A (1979)

Force of One, A (1979)

“The headlines are screaming there’s a karate killer loose in this city!”

Synopsis:
While trying to crack a case of mysterious cop-murders carried out by a masked karate killer, a police detective (Jennifer O’Neill) enlists the help of a martial arts expert (Chuck Norris) whose adopted son (Eric Laneuville) is eventually put in harm’s way.

Genres, Themes, Actors, and Directors:

  • Chuck Norris Films
  • Drug Dealers
  • Martial Arts
  • Police

Response to Peary’s Review:
Peary points out that this “pretty good Chuck Norris vehicle is much like a typical television police series, only it has some well-done karate fights to heighten the action.”

He adds that “there’s a strong supporting cast, Paul Aaron’s direction is impressive (particularly during fight sequences), and Norris’s karate exhibitions make up for the fact that he can’t act a lick in this film.”

Of most interest, marginally, is top-billed Jennifer O’Neill, who is effective playing a strong female cop.

Otherwise, there’s really nothing to recommend this one unless you happen to be a fan of such fare — and/or of Norris.

Notable Performances, Qualities, and Moments:

  • Decent directing

Must See?
No; you can skip this one unless you’re a Norris fan.

Links:

Cockfighter / Born to Kill (1974)

Cockfighter / Born to Kill (1974)

“I’m gonna keep my mouth shut until I’ve won that medal.”

Synopsis:
A down-on-his-luck cockfighter (Warren Oates) takes a vow of silence until he’s able to win back his fame, fortune, and girlfriend (Patricia Pearcy).

Genres, Themes, Actors, and Directors:

  • Ed Begley Jr. Films
  • Gambling
  • Harry Dean Stanton Films
  • Millie Perkins Films
  • Monte Hellman Films
  • Troy Donahue Films
  • Warren Oates Films

Review:
Notable as the only film which lost money for producer Roger Corman, this Monte Hellman-directed movie — based on a novel by screenwriter Charles Willeford — was re-released under various other names (including Born to Kill) but ultimately remains what its title implies: an 83-minute film about cockfighting, a sport which is now illegal across all 50 of the United States (though not in Puerto Rico, where it remains a thriving industry). Your appreciation of this offering will depend on a few factors: 1) how much you enjoy watching Oates turn in an impressive performance despite being limited to just a few lines of speech (in a flashback); 2) how curious you are to see this bloody sport in action (though you could alternatively just watch a short documentary about it on YouTube):

… and/or 3) how much of a Monte Hellman completist you are. Watch for numerous big-name actors in small roles, including Harry Dean Stanton as fellow cockfighter Jack Burke:

… Troy Donahue as Oates’ brother Randy:

… Millie Perkins as Randy’s curler-clad wife:

… and Ed Begley Jr. as a lanky local fighter.

Notable Performances, Qualities, and Moments:

  • Warren Oates as Frank Mansfield
  • Nestor Almendros’ cinematography

Must See?
No, unless you’re curious or a Hellman fan. Listed as a Cult Movie in the back of Peary’s book.

Links: