“Nevertheless, pity the poor potheads.”
While a busty Swede (Uschi Digard) runs naked across the desert, a corrupt sheriff (Charles Napier) working in collusion with a marijuana dealer (Franklin Bolger) and a Chicano deputy (Bert Santos) tries to track down an elusive competitor known as “The Apache”. Meanwhile, Napier sleeps with both a busy prostitute named Raquel (Larissa Ely) and his nurse-girlfriend Cherry (Linda Ashton), who eventually fall for each other as well.
Genres, Themes, Actors, and Directors:
- Drug Dealers
- Sheriffs and Marshalls
- Russ Meyer Films
Response to Peary’s Review:
Peary writes that this “compact Russ Meyer film” features a “tried-and-true combination of sex, violence, and humor”, with the injection of “intentionally silly footage of superstacked Uschi Digard romping naked (but for an Indian warbonnet) around [the] desert.” He asserts that while it’s “somewhat dated”, it “remains one of Meyer’s best films” given that it “has wit, sharp editing, several Don Siegel-like action sequences, and a solid lead in square-jawed Napier”. I can understand why Meyer fans would be enamored with this flick, which shows ample evidence of the gonzo-surreal sensibilities and rapid-fire editing that would infuse Meyer’s first major studio film, Beyond the Valley of the Dolls (1970). However, it’s really not for all tastes; my favorite moments came early on, during his laughably earnest opening voiceover: “The evil of marijuana caresses all it comes in contact with.”
Redeeming Qualities and Moments:
- Fine location shooting
- Skillful editing
No, though I’m sure some film fanatics will be curious to check it out.