“I’ll give you the best performance you ever saw in a hotel bedroom!”
When the agent (Philip Wood) for a high-end investor reneges on backing a play written by a penniless playwright (Frank Albertson), the play’s producer (Groucho Marx) and his two associates (Chico and Harpo Marx) arrange for an irate hotel manager (Donald MacBride) to secretly foot the bill until opening night.
Response to Peary’s Review:
Peary is utterly dismissive of this unusual Marx Brother outing (their only film for RKO Studios), “based on a Broadway play by John Murray and Allen Boretz that was adapted by Morrie Ryskind for the comedy team”. (Of course, one wonders why it’s included in his book at all, given how much he dislikes it — but I digress.) At any rate, he argues that “it’s shattering hearing Groucho say one unfunny line after another, and seeing the three [brothers] act almost civilly”. He further complains that “there’s no sharpness to Groucho’s delivery, [and] no chaos initiated by Harpo”; however, Harpo DOES get to maintain his standard persona throughout, and is given at least a few brief moments in the limelight — most notably during what Peary calls out as the best scene in the film, in which the brothers “simply gorge themselves on the first meal they’ve had in days”.
Ultimately, it seems as though Peary disapproves of the Marx Brothers’ attempt to move outside of their usual schtick — and my rebuttal is that I think they were brave to do so. Unfortunately, the play itself — while not terrible — isn’t all that scintillating, and director William Seiter’s pacing is far too slow for a screwball comedy. Thus, what could have worked as a perfectly legitimate alternate venue for Groucho et al. is instead a rather tepid (though watchable) affair. What I found myself missing most was Groucho’s zany wordplay with Chico and others. For example, Chico says to Groucho at one point, “You haven’t got a leg to stand on” — a statement absolutely ripe for word play, but which Groucho simply accepts at face value. Too bad Ryskind’s rewrite couldn’t have allowed for the team to fling back more creative responses at each other…
Note: Watch for both Lucille Ball and Ann Miller (only 15 years old!) in early supporting roles.
Redeeming Qualities and Moments:
- Donald MacBride as Mr. Wagoner
No; this one remains a Marx Brothers curiosity but not must-see viewing.