“Let us build a new fatherland. It is time we awoke from this vile coma!”
A teenager (Nikolas Vogel) with emotionally abusive parents befriends a rebellious motorcyclist (Roger Schauer) and finds himself increasingly drawn into Schauer’s subculture of fascism and neo-Nazi ideology.
Response to Peary’s Review:
Peary writes that this “terrifying, important” film — about “how in present-day Germany and Austria bored, alienated, out-of-work youths are joining neo-Nazi organizations to find excitement, a sense of power and importance, sexual fulfillment (with Nazi groupies), and camaraderie” — “caused riots when first shown in Germany”: a reminder that the type of backlash uncovered in the 2006 documentary The Unknown Soldier (about a controversial museum exhibit showcasing war crimes by “ordinary” German soldiers) was already alive and well in the early 1980s. Given that right-wing ideologies continue to flourish in Europe, America, and elsewhere, The Inheritors — conceived after producer-director-screenwriter William Bannert “and some friends were attacked in a pub by a Nazi youth gang” — feels, sadly, more relevant than ever. Unfortunately, it’s a flawed film, with overly simplistic home lives presented for its two main characters, and weirdly “exploitive” [sic] sex scenes that make it inappropriate to show to younger viewers. But it’s worth a one-time look if you stumble upon a copy.
Redeeming Qualities and Moments:
- A frightening look at neo-Nazi ideology continuing to flourish
No, though it’s worth checking out for one-time viewing if the topic is of interest.