“Once a prisoner has slept with me, he will never sleep with a woman again. If he lives, he will remember only the pain of the knife.”
A sadistic Nazi prison warden (Dyanne Thorne) gleefully tortures both male and female prisoners in her camp, not realizing that her latest sexual conquest — an American named Wolfe (Gregory Knoph) — is helping to plot her downfall.
Response to Peary’s Review:
I’ll admit to avoiding this “indefensible” sexploitation flick (a “cult film for [the] sick set, with a plot suitable for S&M porno books”) for as long as possible before finally giving in to write a review for this site — which is not to say I haven’t been weirdly curious about it for years; with such a “notorious reputation” (and a morbidly intriguing title), it’s hard not to at least wonder what this film and its three similarly-titled sequels have to offer. In his review of this first entry in the series, Peary notes that “at least the torture/violence is not as convincing as one might fear”, and points out that “the brutality looks staged”; yet the “poor acting, pedestrian direction, and a repelling overdose of bondage and violence” still “put the film at [the] bottom of the women-in-prison genre”. Indeed, it’s genuinely distressing to know that this film has a cult of diehard followers who find nothing wrong with what they refer to as its “campy” sex and violence; why in the world would people choose to sit through something this distasteful? (Clearly I’m not the target audience.) Unfortunately, I’ll eventually have to subject myself to a bit more, given that Peary lists one of the sequels — Ilsa, Harem Keeper for the Oil Sheiks (1976) — in the back of his book, despite openly referring to it as “worse”. Why, oh why, Peary?
Redeeming Qualities and Moments:
No; despite its undeniable notoriety, film fanatics should only check this one out at their own peril.