Naughty Nineties, The (1945)

Naughty Nineties, The (1945)

“Strange as it may seem, they give ball players nowadays very peculiar names.”

Synopsis:
Abbott and Costello try to rescue their friend’s showboat from the hands of some unscrupulous cardsharks.

Genres, Themes, Actors, and Directors:

  • Abbott and Costello Films
  • At Sea
  • Comedy

Response to Peary’s Review:
As Peary notes, while Abbott and Costello’s first period piece “isn’t slickly made” it contains “several of their most famous routines” and remains an “excellent A&C sampler.” The storyline is innocuous but relatively enjoyable, and — most importantly — never interferes with the ongoing litany of gags. Unlike Peary, I didn’t find the scene in which Costello is “hanging over the side of the boat in order to spy on bad guys through their porthole” and ends up causing the “heavily lathered Joe Sawyer” to look into the porthole, “think it’s a mirror,” and “begin to shave off the lather” particularly funny.

However, I was tickled pink by countless other hilarious moments, including Abbott and Costello performing their beloved “Who’s On First?” skit:

… Costello fearfully confronting a plateful of fried “cats”:

… Costello frosting a ramshackle cake:

… and Costello shakily singing “My Bonnie Lies Over the Ocean” in time to Abbott’s stage directions:

Redeeming Qualities:

  • Many amusing skits

Must See?
Yes. While some reviewers disagree, I believe this film is a distillation of Abbott and Costello at their best.

Categories

  • Genuine Classic

Links:

One thought on “Naughty Nineties, The (1945)

  1. First viewing – not must-see.

    This A&C outing is a mixed bag. When the humor isn’t dated, it’s generally not inspired (esp. the long, slapstick-y chase scene at the end). Some of the humor is a matter of taste (I suppose) but I find much of it more troublesome than funny: the ‘fried cats’ scene plays loose on its own terms; the ‘shaving’ bit is borrowed (in form) from the Marx Brothers.

    ‘Who’s On First?’ is (justifiably) famous and is the film’s best bit. If the rest (or even the bulk) of the film were up to its clever level, it would be a different story and a better film. (But that bit can be found on YouTube; you don’t need this film for it.)

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