{"id":9867,"date":"2009-10-24T13:12:49","date_gmt":"2009-10-24T20:12:49","guid":{"rendered":"http:\/\/filmfanatic.org\/?p=9867"},"modified":"2021-01-19T22:43:41","modified_gmt":"2021-01-20T05:43:41","slug":"men-1985","status":"publish","type":"post","link":"https:\/\/filmfanatic.org\/?p=9867","title":{"rendered":"Men (1985)"},"content":{"rendered":"<p><strong>&#8220;Women have no scruples. We &#8212; we can be blackmailed by our consciences.&#8221;<\/strong><\/p>\n<table>\n<tr>\n<td>\n<p><a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2009\/10\/Men-Poster.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2009\/10\/Men-Poster-195x300.png\" alt=\"\" width=\"195\" height=\"300\" class=\"alignleft size-medium wp-image-64579\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2009\/10\/Men-Poster-195x300.png 195w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2009\/10\/Men-Poster-667x1024.png 667w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2009\/10\/Men-Poster-83x128.png 83w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2009\/10\/Men-Poster-176x270.png 176w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2009\/10\/Men-Poster.png 717w\" sizes=\"auto, (max-width: 195px) 100vw, 195px\" \/><\/a><\/p>\n<p><strong>Synopsis:<\/strong><br \/>\nWhen an advertising executive (Heiner Lauterbach) discovers his wife (Ulrike Kriener) is having an affair with a bohemian artist (Uwe Ochsenknecht), he assumes a new identity and moves in with Stefan (Ochsenknecht), determined to learn more about why he&#8217;s so appealing to his wife.\n<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td>\n<p>\n<strong>Genres, Themes, Actors, and Directors:<\/strong><\/p>\n<ul>\n<li>Friendship<\/li>\n<li>German Films<\/li>\n<li>Love Triangle<\/li>\n<li>Mistaken or Hidden Identities<\/li>\n<\/ul>\n<p><strong>Review: <\/strong><br \/>\nMade on a shoestring budget for German television, <a href=\"http:\/\/en.wikipedia.org\/wiki\/Doris_D%C3%B6rrie\">Doris Dorrie<\/a>&#8216;s <em>Men<\/em> later enjoyed a successful theatrical release, and was the most widely seen German film that year. Essentially an unconventional &#8220;love triangle&#8221;, it tells the story of a successful ad executive named Julius (Lauterbach) who is so devastated and puzzled by his wife&#8217;s affair with free-spirited, long-haired artist Stefan (Ochsenknecht) that he goes to comedic extremes to learn more about why she&#8217;s betrayed him. Because the storyline is set up as a comedy, we&#8217;re meant to ignore the first glaring logical loophole that emerges: wouldn&#8217;t Stefan see photos of Julius at his lover&#8217;s house, and recognize him? This minor quibble aside, however, we soon watch in fascination as the newly humbled Julius&#8211; a casual womanizer himself, who&#8217;s cheated on his wife countless times in the past &#8212; does everything he can to comprehend Stefan&#8217;s appeal, and perhaps become a bit more like him. Meanwhile, he can&#8217;t help releasing his simmering rage towards the unsuspecting Stefan in random fits, which Stefan conveniently accepts as part of Julius&#8217;s &#8220;crisis&#8221;. Eventually, as the two men get to know and trust each other, a genuine friendship emerges, albeit one predicated on deception. While it&#8217;s not must-see viewing for all viewers, <em>Men<\/em> is recommended for those who enjoy unconventional tales of male bonding. <\/p>\n<p><strong>Note:<\/strong> The film&#8217;s poster, which depicts an image from the final comedic scene in the film, is a bit misleading; while there are certainly homoerotic twitches throughout (and one kiss), relations between the two men, for the most part, remain strictly &#8220;platonic&#8221;. <\/p>\n<p><strong>Redeeming Qualities and Moments: <\/strong><\/p>\n<ul>\n<li>Heiner Lauterbach as Julius\/Daniel<br \/>\n<a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2009\/10\/Men-Lauterbach.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2009\/10\/Men-Lauterbach.png\" alt=\"\" width=\"640\" height=\"480\" class=\"alignnone size-full wp-image-64582\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2009\/10\/Men-Lauterbach.png 640w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2009\/10\/Men-Lauterbach-300x225.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2009\/10\/Men-Lauterbach-128x96.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2009\/10\/Men-Lauterbach-360x270.png 360w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/li>\n<li>Uwe Ochsenknecht as Stefan<br \/>\n<a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2009\/10\/Men-Ochsenknecht.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2009\/10\/Men-Ochsenknecht.png\" alt=\"\" width=\"640\" height=\"480\" class=\"alignnone size-full wp-image-64580\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2009\/10\/Men-Ochsenknecht.png 640w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2009\/10\/Men-Ochsenknecht-300x225.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2009\/10\/Men-Ochsenknecht-128x96.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2009\/10\/Men-Ochsenknecht-360x270.png 360w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/li>\n<li>An unconventional tale of male friendship and secret rivalry<br \/>\n<a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2009\/10\/Men-Friendship.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2009\/10\/Men-Friendship.png\" alt=\"\" width=\"640\" height=\"480\" class=\"alignnone size-full wp-image-64581\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2009\/10\/Men-Friendship.png 640w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2009\/10\/Men-Friendship-300x225.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2009\/10\/Men-Friendship-128x96.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2009\/10\/Men-Friendship-360x270.png 360w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/li>\n<\/ul>\n<p><strong>Must See? <\/strong><br \/>\nNo, but it&#8217;s definitely recommended. Listed as a film with Historical Importance in the back of Peary&#8217;s book. <\/p>\n<p><strong>Links: <\/strong><\/p>\n<ul>\n<li><a href=\"http:\/\/www.imdb.com\/title\/tt0089656\/\">IMDb entry<\/a><\/li>\n<li><a href=\"http:\/\/allmovie.com\/work\/men-32167\">All Movie Guide Review<\/a><\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;Women have no scruples. We &#8212; we can be blackmailed by our consciences.&#8221; Synopsis: When an advertising executive (Heiner Lauterbach) discovers his wife (Ulrike Kriener) is having an affair with a bohemian artist (Uwe Ochsenknecht), he assumes a new identity and moves in with Stefan (Ochsenknecht), determined to learn more about why he&#8217;s so appealing to his wife. Genres, Themes, Actors, and Directors: Friendship German Films Love Triangle Mistaken or Hidden Identities Review: Made on a shoestring budget for German&#8230;<\/p>\n<p class=\"read-more\"><a class=\"btn btn-default\" href=\"https:\/\/filmfanatic.org\/?p=9867\"> Read More<span class=\"screen-reader-text\">  Read More<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[1],"tags":[],"class_list":["post-9867","post","type-post","status-publish","format-standard","hentry","category-reviews"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 4.9.9 - aioseo.com -->\n\t<meta name=\"description\" content=\"&quot;Women have no scruples. We -- we can be blackmailed by our consciences.&quot; Synopsis: When an advertising executive (Heiner Lauterbach) discovers his wife (Ulrike Kriener) is having an affair with a bohemian artist (Uwe Ochsenknecht), he assumes a new identity and moves in with Stefan (Ochsenknecht), determined to learn more about why he&#039;s so appealing\" \/>\n\t<meta name=\"robots\" content=\"max-image-preview:large\" \/>\n\t<meta name=\"author\" content=\"admin\"\/>\n\t<link rel=\"canonical\" href=\"https:\/\/filmfanatic.org\/?p=9867\" \/>\n\t<meta name=\"generator\" content=\"All in One SEO (AIOSEO) 4.9.9\" \/>\n\t\t<meta property=\"og:locale\" content=\"en_US\" \/>\n\t\t<meta property=\"og:site_name\" content=\"FilmFanatic.org - Movie discussions for the true film fanatic\" \/>\n\t\t<meta property=\"og:type\" content=\"article\" \/>\n\t\t<meta property=\"og:title\" content=\"Men (1985) - FilmFanatic.org\" \/>\n\t\t<meta property=\"og:description\" content=\"&quot;Women have no scruples. We -- we can be blackmailed by our consciences.&quot; Synopsis: When an advertising executive (Heiner Lauterbach) discovers his wife (Ulrike Kriener) is having an affair with a bohemian artist (Uwe Ochsenknecht), he assumes a new identity and moves in with Stefan (Ochsenknecht), determined to learn more about why he&#039;s so appealing\" \/>\n\t\t<meta property=\"og:url\" content=\"https:\/\/filmfanatic.org\/?p=9867\" \/>\n\t\t<meta property=\"article:published_time\" content=\"2009-10-24T20:12:49+00:00\" \/>\n\t\t<meta property=\"article:modified_time\" content=\"2021-01-20T05:43:41+00:00\" \/>\n\t\t<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n\t\t<meta name=\"twitter:title\" content=\"Men (1985) - FilmFanatic.org\" \/>\n\t\t<meta name=\"twitter:description\" content=\"&quot;Women have no scruples. We -- we can be blackmailed by our consciences.&quot; Synopsis: When an advertising executive (Heiner Lauterbach) discovers his wife (Ulrike Kriener) is having an affair with a bohemian artist (Uwe Ochsenknecht), he assumes a new identity and moves in with Stefan (Ochsenknecht), determined to learn more about why he&#039;s so appealing\" \/>\n\t\t<script type=\"application\/ld+json\" class=\"aioseo-schema\">\n\t\t\t{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"BlogPosting\",\"@id\":\"https:\\\/\\\/filmfanatic.org\\\/?p=9867#blogposting\",\"name\":\"Men (1985) - FilmFanatic.org\",\"headline\":\"Men (1985)\",\"author\":{\"@id\":\"https:\\\/\\\/filmfanatic.org\\\/?author=1#author\"},\"publisher\":{\"@id\":\"https:\\\/\\\/filmfanatic.org\\\/#organization\"},\"image\":{\"@type\":\"ImageObject\",\"url\":\"http:\\\/\\\/filmfanatic.org\\\/wp-content\\\/uploads\\\/2009\\\/10\\\/Men-Poster-195x300.png\",\"@id\":\"https:\\\/\\\/filmfanatic.org\\\/?p=9867\\\/#articleImage\"},\"datePublished\":\"2009-10-24T13:12:49-07:00\",\"dateModified\":\"2021-01-19T22:43:41-07:00\",\"inLanguage\":\"en\",\"commentCount\":1,\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/filmfanatic.org\\\/?p=9867#webpage\"},\"isPartOf\":{\"@id\":\"https:\\\/\\\/filmfanatic.org\\\/?p=9867#webpage\"},\"articleSection\":\"Original Reviews\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/filmfanatic.org\\\/?p=9867#breadcrumblist\",\"itemListElement\":[{\"@type\":\"ListItem\",\"@id\":\"https:\\\/\\\/filmfanatic.org#listItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/filmfanatic.org\",\"nextItem\":{\"@type\":\"ListItem\",\"@id\":\"https:\\\/\\\/filmfanatic.org\\\/?cat=1#listItem\",\"name\":\"Original Reviews\"}},{\"@type\":\"ListItem\",\"@id\":\"https:\\\/\\\/filmfanatic.org\\\/?cat=1#listItem\",\"position\":2,\"name\":\"Original Reviews\",\"item\":\"https:\\\/\\\/filmfanatic.org\\\/?cat=1\",\"nextItem\":{\"@type\":\"ListItem\",\"@id\":\"https:\\\/\\\/filmfanatic.org\\\/?p=9867#listItem\",\"name\":\"Men (1985)\"},\"previousItem\":{\"@type\":\"ListItem\",\"@id\":\"https:\\\/\\\/filmfanatic.org#listItem\",\"name\":\"Home\"}},{\"@type\":\"ListItem\",\"@id\":\"https:\\\/\\\/filmfanatic.org\\\/?p=9867#listItem\",\"position\":3,\"name\":\"Men (1985)\",\"previousItem\":{\"@type\":\"ListItem\",\"@id\":\"https:\\\/\\\/filmfanatic.org\\\/?cat=1#listItem\",\"name\":\"Original Reviews\"}}]},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/filmfanatic.org\\\/#organization\",\"name\":\"FilmFanatic.org\",\"description\":\"Movie discussions for the true film fanatic\",\"url\":\"https:\\\/\\\/filmfanatic.org\\\/\"},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/filmfanatic.org\\\/?author=1#author\",\"url\":\"https:\\\/\\\/filmfanatic.org\\\/?author=1\",\"name\":\"admin\",\"image\":{\"@type\":\"ImageObject\",\"@id\":\"https:\\\/\\\/filmfanatic.org\\\/?p=9867#authorImage\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/eddf9f367f813d863e2735ea4817eb507da90fc27e3a4f0d509000360cc431ce?s=96&d=mm&r=g\",\"width\":96,\"height\":96,\"caption\":\"admin\"}},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/filmfanatic.org\\\/?p=9867#webpage\",\"url\":\"https:\\\/\\\/filmfanatic.org\\\/?p=9867\",\"name\":\"Men (1985) - FilmFanatic.org\",\"description\":\"\\\"Women have no scruples. 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