{"id":97688,"date":"2024-06-13T21:46:49","date_gmt":"2024-06-14T04:46:49","guid":{"rendered":"https:\/\/filmfanatic.org\/?p=97688"},"modified":"2024-06-13T21:46:49","modified_gmt":"2024-06-14T04:46:49","slug":"camille-2000-1969","status":"publish","type":"post","link":"https:\/\/filmfanatic.org\/?p=97688","title":{"rendered":"Camille 2000 (1969)"},"content":{"rendered":"<p><strong>&#8220;Love me now &#8212; and let that be enough.&#8221;<\/strong><\/p>\n<table>\n<tr>\n<td>\n<p><a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/Camille-2000-Poster.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/Camille-2000-Poster-199x300.png\" alt=\"\" width=\"199\" height=\"300\" class=\"alignleft size-medium wp-image-97694\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/Camille-2000-Poster-199x300.png 199w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/Camille-2000-Poster-85x128.png 85w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/Camille-2000-Poster-179x270.png 179w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/Camille-2000-Poster.png 624w\" sizes=\"auto, (max-width: 199px) 100vw, 199px\" \/><\/a><\/p>\n<p><strong>Synopsis:<\/strong><br \/>\nA drug-addicted woman (Dani\u00e8le Gaubert) financially supported by a count (Roberto Bisacco) must confront her priorities when she falls in love with a man (Nino Castelnuovo) who wants to be with her exclusively.\n<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td>\n<p>\n<strong>Genres, Themes, Actors, and Directors:<\/strong><\/p>\n<ul>\n<li>Love Triangle<\/li>\n<li>Radley Metzger Films<\/li>\n<li>Romance <\/li>\n<\/ul>\n<p><strong>Review: <\/strong><br \/>\nRadley Metzger&#8217;s follow-up to <a href=\"https:\/\/filmfanatic.org\/?p=97427\"><em>Therese and Isabelle<\/em> (1968)<\/a> was this updated adaptation of <a href=\"https:\/\/en.wikipedia.org\/wiki\/The_Lady_of_the_Camellias\">Alexandre Dumas <em>fils<\/em>&#8216; 1848 novel<\/a> &#8212; a convenient opportunity to wrap a softcore story around an established set of characters and circumstances. Changes include Marguerite (Gaubert) suffering from drug addiction rather than TB, and the entire affair taking place in 1960s swinging Rome: <\/p>\n<p><a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/Camille-2000-Party-1.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/Camille-2000-Party-1.png\" alt=\"\" width=\"691\" height=\"305\" class=\"alignnone size-full wp-image-97696\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/Camille-2000-Party-1.png 691w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/Camille-2000-Party-1-300x132.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/Camille-2000-Party-1-128x56.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/Camille-2000-Party-1-604x267.png 604w\" sizes=\"auto, (max-width: 691px) 100vw, 691px\" \/><\/a><\/p>\n<p>&#8230; but otherwise the inherent melodrama is all there (alongside plenty of explicit sexual encounters). The characters are shallow and the acting is poor, but the sets and costumes are pretty groovy: <\/p>\n<p><a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/Camille-2000-Sofa.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/Camille-2000-Sofa.png\" alt=\"\" width=\"692\" height=\"303\" class=\"alignnone size-full wp-image-97698\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/Camille-2000-Sofa.png 692w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/Camille-2000-Sofa-300x131.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/Camille-2000-Sofa-128x56.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/Camille-2000-Sofa-604x264.png 604w\" sizes=\"auto, (max-width: 692px) 100vw, 692px\" \/><\/a><\/p>\n<p>&#8230; and as always, Metzger uses creative camerawork. <\/p>\n<p><strong>Notable Performances, Qualities, and Moments:<\/strong><\/p>\n<ul>\n<li>Ennio Guarnieri&#8217;s cinematography<br \/>\n<a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/Camille-2000-Cinematography.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/Camille-2000-Cinematography.png\" alt=\"\" width=\"691\" height=\"302\" class=\"alignnone size-full wp-image-97700\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/Camille-2000-Cinematography.png 691w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/Camille-2000-Cinematography-300x131.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/Camille-2000-Cinematography-128x56.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/Camille-2000-Cinematography-604x264.png 604w\" sizes=\"auto, (max-width: 691px) 100vw, 691px\" \/><\/a><\/li>\n<li>Good use of location shooting in Rome<br \/>\n<a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/Camille-2000-Location3.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/Camille-2000-Location3.png\" alt=\"\" width=\"692\" height=\"302\" class=\"alignnone size-full wp-image-97699\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/Camille-2000-Location3.png 692w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/Camille-2000-Location3-300x131.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/Camille-2000-Location3-128x56.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/Camille-2000-Location3-604x264.png 604w\" sizes=\"auto, (max-width: 692px) 100vw, 692px\" \/><\/a><\/li>\n<\/ul>\n<p><strong>Must See? <\/strong><br \/>\nNo; you can definitely skip this one. <\/p>\n<p><strong>Links: <\/strong><\/p>\n<ul>\n<li><a href=\"https:\/\/www.imdb.com\/title\/tt0064122\/\">IMDb entry<\/a><\/li>\n<li><a href=\"https:\/\/www.combustiblecelluloid.com\/classic\/camille2000.shtml\">Combustible Celluloid Review<\/a><\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;Love me now &#8212; and let that be enough.&#8221; Synopsis: A drug-addicted woman (Dani\u00e8le Gaubert) financially supported by a count (Roberto Bisacco) must confront her priorities when she falls in love with a man (Nino Castelnuovo) who wants to be with her exclusively. Genres, Themes, Actors, and Directors: Love Triangle Radley Metzger Films Romance Review: Radley Metzger&#8217;s follow-up to Therese and Isabelle (1968) was this updated adaptation of Alexandre Dumas fils&#8216; 1848 novel &#8212; a convenient opportunity to wrap a&#8230;<\/p>\n<p class=\"read-more\"><a class=\"btn btn-default\" href=\"https:\/\/filmfanatic.org\/?p=97688\"> Read More<span class=\"screen-reader-text\">  Read More<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-97688","post","type-post","status-publish","format-standard","hentry","category-reviews"],"aioseo_notices":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/posts\/97688","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=97688"}],"version-history":[{"count":6,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/posts\/97688\/revisions"}],"predecessor-version":[{"id":97703,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/posts\/97688\/revisions\/97703"}],"wp:attachment":[{"href":"https:\/\/filmfanatic.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=97688"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=97688"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=97688"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}