{"id":97233,"date":"2024-06-01T21:57:08","date_gmt":"2024-06-02T04:57:08","guid":{"rendered":"https:\/\/filmfanatic.org\/?p=97233"},"modified":"2024-06-01T21:57:08","modified_gmt":"2024-06-02T04:57:08","slug":"no-way-to-treat-a-lady-1968","status":"publish","type":"post","link":"https:\/\/filmfanatic.org\/?p=97233","title":{"rendered":"No Way to Treat a Lady (1968)"},"content":{"rendered":"<p><strong>&#8220;You see how I&#8217;ve fooled &#8217;em? I&#8217;m a master of disguise!&#8221;<\/strong><\/p>\n<table>\n<tr>\n<td>\n<p><a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-to-Treat-a-Lady-Poster.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-to-Treat-a-Lady-Poster-197x300.png\" alt=\"\" width=\"197\" height=\"300\" class=\"alignleft size-medium wp-image-97234\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-to-Treat-a-Lady-Poster-197x300.png 197w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-to-Treat-a-Lady-Poster-84x128.png 84w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-to-Treat-a-Lady-Poster-177x270.png 177w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-to-Treat-a-Lady-Poster.png 612w\" sizes=\"auto, (max-width: 197px) 100vw, 197px\" \/><\/a><\/p>\n<p><strong>Synopsis:<\/strong><br \/>\nA serial killer (Rod Steiger) uses a variety of disguises to kill middle-aged women across New York while playing cat-and-mouse with a detective (George Segal) whose overbearing mother (Eileen Heckart) and new girlfriend (Lee Remick) keep him otherwise occupied.\n<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td>\n<p>\n<strong>Genres, Themes, Actors, and Directors:<\/strong><\/p>\n<ul>\n<li>Cat and Mouse<\/li>\n<li>Detectives and Private Eyes<\/li>\n<li>George Segal Films<\/li>\n<li>Lee Remick Films<\/li>\n<li>Rod Steiger Films<\/li>\n<li>Serial Killers<\/li>\n<\/ul>\n<p><strong>Review: <\/strong><br \/>\nShortly after his Oscar-winning turn in <a href=\"https:\/\/filmfanatic.org\/?p=96899\"><em>In the Heat of the Night<\/em> (1967)<\/a>, Rod Steiger starred in this adaptation of <a href=\"https:\/\/en.wikipedia.org\/wiki\/No_Way_to_Treat_a_Lady_(novel)\">William Goldman&#8217;s novel<\/a>, itself loosely based on an article about <a href=\"https:\/\/en.wikipedia.org\/wiki\/Boston_Strangler\">the Boston Strangler<\/a>. The storyline is decidedly formulaic in its &#8212; well, <em>formula<\/em> of repeatedly showing Steiger dressed up in an outlandish costume and sporting a convincing accent while stealthily killing a gullible woman, then calling Segal to brag about his deed. He impersonates an Irish priest: <\/p>\n<p><a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-to-Treat-a-Lady-Priest.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-to-Treat-a-Lady-Priest-1024x562.png\" alt=\"\" width=\"640\" height=\"351\" class=\"alignnone size-large wp-image-97235\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-to-Treat-a-Lady-Priest-1024x562.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-to-Treat-a-Lady-Priest-300x165.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-to-Treat-a-Lady-Priest-128x70.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-to-Treat-a-Lady-Priest-768x421.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-to-Treat-a-Lady-Priest-492x270.png 492w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-to-Treat-a-Lady-Priest.png 1294w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/p>\n<p>&#8230; a German plumber: <\/p>\n<p><a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Plumber3.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Plumber3-1024x535.png\" alt=\"\" width=\"640\" height=\"334\" class=\"alignnone size-large wp-image-97239\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Plumber3-1024x535.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Plumber3-300x157.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Plumber3-128x67.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Plumber3-768x401.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Plumber3-517x270.png 517w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Plumber3.png 1288w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/p>\n<p>&#8230; an effeminate wig seller: <\/p>\n<p><a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Gay-Man.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Gay-Man-1024x567.png\" alt=\"\" width=\"640\" height=\"354\" class=\"alignnone size-large wp-image-97236\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Gay-Man-1024x567.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Gay-Man-300x166.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Gay-Man-128x71.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Gay-Man-768x425.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Gay-Man-488x270.png 488w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Gay-Man-1038x576.png 1038w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Gay-Man.png 1294w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/p>\n<p>&#8230; a police detective (nice nod to Chief Gillespie): <\/p>\n<p><a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Chief-Gillespie.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Chief-Gillespie-1024x569.png\" alt=\"\" width=\"640\" height=\"356\" class=\"alignnone size-large wp-image-97242\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Chief-Gillespie-1024x569.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Chief-Gillespie-300x167.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Chief-Gillespie-128x71.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Chief-Gillespie-768x427.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Chief-Gillespie-486x270.png 486w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Chief-Gillespie-1038x576.png 1038w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Chief-Gillespie.png 1292w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/p>\n<p>&#8230; a cross-dressing woman in a bar: <\/p>\n<p><a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Bar-Crying.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Bar-Crying-1024x572.png\" alt=\"\" width=\"640\" height=\"358\" class=\"alignnone size-large wp-image-97240\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Bar-Crying-1024x572.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Bar-Crying-300x168.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Bar-Crying-128x72.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Bar-Crying-768x429.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Bar-Crying-483x270.png 483w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Bar-Crying.png 1292w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/p>\n<p>&#8230; and a waiter. <\/p>\n<p><a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Waiter.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Waiter-1024x564.png\" alt=\"\" width=\"640\" height=\"353\" class=\"alignnone size-large wp-image-97241\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Waiter-1024x564.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Waiter-300x165.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Waiter-128x70.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Waiter-768x423.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Waiter-491x270.png 491w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Waiter.png 1290w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/p>\n<p>Meanwhile, interspersed between these murders and follow-up phone calls, we see Segal henpecked by his Jewish mother: <\/p>\n<p><a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Mother-How-Much.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Mother-How-Much-1024x559.png\" alt=\"\" width=\"640\" height=\"349\" class=\"alignnone size-large wp-image-97243\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Mother-How-Much-1024x559.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Mother-How-Much-300x164.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Mother-How-Much-128x70.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Mother-How-Much-768x420.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Mother-How-Much-494x270.png 494w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Mother-How-Much.png 1296w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/p>\n<p>&#8230; and romancing Remick, who very conveniently falls for him and thus serves as gorgeous eye candy throughout. (Her character is too good to be true.) <\/p>\n<p><a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Remick-Pink.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Remick-Pink-1024x573.png\" alt=\"\" width=\"640\" height=\"358\" class=\"alignnone size-large wp-image-97244\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Remick-Pink-1024x573.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Remick-Pink-300x168.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Remick-Pink-128x72.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Remick-Pink-768x430.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Remick-Pink-483x270.png 483w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Remick-Pink.png 1294w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/p>\n<p>There are plenty of cringe-worthy moments throughout the screenplay &#8212; including all scenes between Segal and Heckart (though her fans will likely be happy); the appearance of a dwarf (Michael Dunn) who insists he is the killer and takes offense when he&#8217;s not believed: <\/p>\n<p><a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Dunn.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Dunn-1024x567.png\" alt=\"\" width=\"640\" height=\"354\" class=\"alignnone size-large wp-image-97246\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Dunn-1024x567.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Dunn-300x166.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Dunn-128x71.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Dunn-768x425.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Dunn-488x270.png 488w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Dunn-1038x576.png 1038w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Dunn.png 1290w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/p>\n<p>&#8230; and Steiger&#8217;s caricatures of a gay man and a trans woman (though I suppose those could be explained as his own character&#8217;s poor acting choices). While nothing about this storyline is particularly surprising, viewers who enjoy a straightforward whodunit filled with plenty of complex disguises will likely appreciate it. Watch for Barbara Baxley and Doris Roberts as two sisters who manage to escape Steiger&#8217;s clutches. <\/p>\n<p><a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Sisters.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Sisters-1024x558.png\" alt=\"\" width=\"640\" height=\"349\" class=\"alignnone size-large wp-image-97252\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Sisters-1024x558.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Sisters-300x163.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Sisters-128x70.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Sisters-768x418.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Sisters-496x270.png 496w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Sisters.png 1292w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/p>\n<p><strong>Notable Performances, Qualities, and Moments:<\/strong><\/p>\n<ul>\n<li>Fine location shooting throughout New York<br \/>\n<a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Sardis.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Sardis-1024x571.png\" alt=\"\" width=\"640\" height=\"357\" class=\"alignnone size-large wp-image-97237\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Sardis-1024x571.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Sardis-300x167.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Sardis-128x71.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Sardis-768x428.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Sardis-484x270.png 484w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Sardis.png 1288w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/li>\n<li>Jack Priestly&#8217;s cinematography<br \/>\n<a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Baxbey.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Baxbey-1024x573.png\" alt=\"\" width=\"640\" height=\"358\" class=\"alignnone size-large wp-image-97251\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Baxbey-1024x573.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Baxbey-300x168.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Baxbey-128x72.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Baxbey-768x430.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Baxbey-482x270.png 482w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Baxbey.png 1290w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><br \/>\n<a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Theater-Lights.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Theater-Lights-1024x579.png\" alt=\"\" width=\"640\" height=\"362\" class=\"alignnone size-large wp-image-97238\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Theater-Lights-1024x579.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Theater-Lights-300x170.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Theater-Lights-128x72.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Theater-Lights-768x435.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Theater-Lights-477x270.png 477w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/06\/No-Way-Theater-Lights.png 1276w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/li>\n<\/ul>\n<p><strong>Must See? <\/strong><br \/>\nNo. Listed as a Personal Recommendation in the back of Peary&#8217;s book. <\/p>\n<p><strong>Links: <\/strong><\/p>\n<ul>\n<li><a href=\"https:\/\/www.imdb.com\/title\/tt0063356\/\">IMDb entry<\/a><\/li>\n<li><a href=\"https:\/\/www.thespinningimage.co.uk\/cultfilms\/displaycultfilm.asp?reviewid=7284&#038;aff=13\">Spinning Image Review<\/a><\/li>\n<li><a href=\"https:\/\/www.nytimes.com\/1968\/03\/21\/archives\/screen-farcical-exercise-in-murderlogic-loses-in-no-way-to-treat-a.html\">NY Times Original Review<\/a><\/li>\n<li><a href=\"https:\/\/www.dvdtalk.com\/dvdsavant\/s635lady.html\">DVD Savant Review<\/a><\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;You see how I&#8217;ve fooled &#8217;em? I&#8217;m a master of disguise!&#8221; Synopsis: A serial killer (Rod Steiger) uses a variety of disguises to kill middle-aged women across New York while playing cat-and-mouse with a detective (George Segal) whose overbearing mother (Eileen Heckart) and new girlfriend (Lee Remick) keep him otherwise occupied. Genres, Themes, Actors, and Directors: Cat and Mouse Detectives and Private Eyes George Segal Films Lee Remick Films Rod Steiger Films Serial Killers Review: Shortly after his Oscar-winning turn&#8230;<\/p>\n<p class=\"read-more\"><a class=\"btn btn-default\" href=\"https:\/\/filmfanatic.org\/?p=97233\"> Read More<span class=\"screen-reader-text\">  Read More<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-97233","post","type-post","status-publish","format-standard","hentry","category-reviews"],"aioseo_notices":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/posts\/97233","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=97233"}],"version-history":[{"count":6,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/posts\/97233\/revisions"}],"predecessor-version":[{"id":97254,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/posts\/97233\/revisions\/97254"}],"wp:attachment":[{"href":"https:\/\/filmfanatic.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=97233"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=97233"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=97233"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}