{"id":96323,"date":"2024-05-05T15:23:55","date_gmt":"2024-05-05T22:23:55","guid":{"rendered":"https:\/\/filmfanatic.org\/?p=96323"},"modified":"2024-05-05T15:23:55","modified_gmt":"2024-05-05T22:23:55","slug":"guerre-est-finie-la-1966","status":"publish","type":"post","link":"https:\/\/filmfanatic.org\/?p=96323","title":{"rendered":"Guerre Est Finie, La (1966)"},"content":{"rendered":"<p><strong>&#8220;Spain is no longer the dream of 1936 but the truth of 1965.&#8221;<\/strong><\/p>\n<table>\n<tr>\n<td>\n<p><a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/05\/Guerre-Est-Finie-Poster.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/05\/Guerre-Est-Finie-Poster-218x300.png\" alt=\"\" width=\"218\" height=\"300\" class=\"alignleft size-medium wp-image-96324\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/05\/Guerre-Est-Finie-Poster-218x300.png 218w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/05\/Guerre-Est-Finie-Poster-93x128.png 93w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/05\/Guerre-Est-Finie-Poster-196x270.png 196w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/05\/Guerre-Est-Finie-Poster.png 422w\" sizes=\"auto, (max-width: 218px) 100vw, 218px\" \/><\/a><\/p>\n<p><strong>Synopsis:<\/strong><br \/>\nA middle-aged revolutionary (Yves Montand) fighting against Fascism in Spain tries to decide whether to retire with his lover (Ingrid Thulin) or continue supporting the cause &#8212; a choice made even more difficult when the beautiful young daughter (Genevi\u00e8ve Bujold) of a compatriot makes herself available to him.\n<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td>\n<p>\n<strong>Genres, Themes, Actors, and Directors:<\/strong><\/p>\n<ul>\n<li>Alain Resnais Films<\/li>\n<li>French Films<\/li>\n<li>Genevieve Bujold Films<\/li>\n<li>Mistaken and Hidden Identities<\/li>\n<li>Revolutionaries<\/li>\n<li>Yves Montand Films<\/li>\n<\/ul>\n<p><strong>Review: <\/strong><br \/>\nAlain Resnais followed up his first three art-crowd favorites &#8212; <a href=\"https:\/\/filmfanatic.org\/?p=77210\"><em>Hiroshima Mon Amour<\/em> (1959)<\/a>, <a href=\"https:\/\/filmfanatic.org\/?p=94106\"><em>Last Year at Marienbad<\/em> (1961)<\/a> and <a href=\"https:\/\/filmfanatic.org\/?p=94624\"><em>Muriel<\/em> (1963)<\/a> &#8212; with this more accessible but still heady film about an aging revolutionary confronting the potentially interminable nature of his work. In my write-up, I&#8217;ll cite <a href=\"https:\/\/www.dvdtalk.com\/dvdsavant\/s187guerre.html\">DVD Savant&#8217;s review<\/a>, in which he explains his own appreciation for the film: <\/p>\n<blockquote><p>Although its style is definitely that of Alain Resnais, <em>La guerre est finie<\/em>&#8216;s subject is not an abstraction, but a real man&#8217;s revolutionary politics. Although some people will be frustrated, it has a compelling story, big stars, romance and intrigue that seems far more &#8216;real&#8217; than similar mainstream movies.<\/p><\/blockquote>\n<p><a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/05\/Guerre-Romance.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/05\/Guerre-Romance.png\" alt=\"\" width=\"921\" height=\"574\" class=\"alignnone size-full wp-image-96343\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/05\/Guerre-Romance.png 921w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/05\/Guerre-Romance-300x187.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/05\/Guerre-Romance-128x80.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/05\/Guerre-Romance-768x479.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/05\/Guerre-Romance-433x270.png 433w\" sizes=\"auto, (max-width: 921px) 100vw, 921px\" \/><\/a><\/p>\n<p>He adds: <\/p>\n<blockquote><p><em>La guerre est finie<\/em> is a remarkable film, beautifully photographed and acted, and probably a lot more accessible to American audiences now that storytelling styles have caught up with the avante garde of 1966. Resnais uses flash-forwards and stream-of-consciousness associative editing that can become quite confusing. But unlike some of his earlier successes that seemed to exist on a mental plane outside of time, <em>Guerre<\/em> is for the most part quite linear.<\/p><\/blockquote>\n<p><a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/05\/Guerre-Group.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/05\/Guerre-Group.png\" alt=\"\" width=\"921\" height=\"574\" class=\"alignnone size-full wp-image-96340\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/05\/Guerre-Group.png 921w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/05\/Guerre-Group-300x187.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/05\/Guerre-Group-128x80.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/05\/Guerre-Group-768x479.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/05\/Guerre-Group-433x270.png 433w\" sizes=\"auto, (max-width: 921px) 100vw, 921px\" \/><\/a><\/p>\n<p>Yes &#8212; refreshingly so! Having fairly recently watched Resnais&#8217; first three films, this one is remarkably easy to follow and relate to &#8212; a good thing, given the intense subject matter. We are watching a man who has literally given his life to a cause yet must still live on edge (he could be detained at any moment), is unable to settle down without feeling a sense of resignation, and has to track numerous running threads of false personal narratives at any given point. <\/p>\n<p>On the aftermath of revisiting <a href=\"https:\/\/filmfanatic.org\/?p=96285\"><em>The Battle of Algiers<\/em><\/a>, seeing what the long-game might look like for someone this committed to revolution was especially poignant; as DVD Savant writes, &#8220;Montand, playing a Spaniard who passes for French, is a soulful soldier whose war was lost long before he began to fight. The tension of being an outlaw to the state shows on his tired face.&#8221; <\/p>\n<p><a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/05\/Guerre-est-finie-Montand-Face.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/05\/Guerre-est-finie-Montand-Face.png\" alt=\"\" width=\"921\" height=\"574\" class=\"alignnone size-full wp-image-96334\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/05\/Guerre-est-finie-Montand-Face.png 921w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/05\/Guerre-est-finie-Montand-Face-300x187.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/05\/Guerre-est-finie-Montand-Face-128x80.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/05\/Guerre-est-finie-Montand-Face-768x479.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/05\/Guerre-est-finie-Montand-Face-433x270.png 433w\" sizes=\"auto, (max-width: 921px) 100vw, 921px\" \/><\/a><\/p>\n<p>Film fanatics will likely enjoying seeing an impossibly young, faux-cherubic Genevi\u00e8ve Bujold in her very first cinematic role: <\/p>\n<p><a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/05\/Guerre-Bujold3.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/05\/Guerre-Bujold3.png\" alt=\"\" width=\"921\" height=\"574\" class=\"alignnone size-full wp-image-96341\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/05\/Guerre-Bujold3.png 921w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/05\/Guerre-Bujold3-300x187.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/05\/Guerre-Bujold3-128x80.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/05\/Guerre-Bujold3-768x479.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/05\/Guerre-Bujold3-433x270.png 433w\" sizes=\"auto, (max-width: 921px) 100vw, 921px\" \/><\/a><\/p>\n<p>&#8230; and Ingrid Bergman-favorite Ingrid Thulin in a non-Scandinavian film. <\/p>\n<p><a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/05\/Guerre-est-finie-Thulin.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/05\/Guerre-est-finie-Thulin.png\" alt=\"\" width=\"921\" height=\"574\" class=\"alignnone size-full wp-image-96336\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/05\/Guerre-est-finie-Thulin.png 921w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/05\/Guerre-est-finie-Thulin-300x187.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/05\/Guerre-est-finie-Thulin-128x80.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/05\/Guerre-est-finie-Thulin-768x479.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/05\/Guerre-est-finie-Thulin-433x270.png 433w\" sizes=\"auto, (max-width: 921px) 100vw, 921px\" \/><\/a><\/p>\n<p><strong>Notable Performances, Qualities, and Moments:<\/strong><\/p>\n<ul>\n<li>Yves Montand as &#8220;Diego Mora&#8221;<br \/>\n<a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/05\/Guerre-est-finie-Montand.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/05\/Guerre-est-finie-Montand.png\" alt=\"\" width=\"921\" height=\"574\" class=\"alignnone size-full wp-image-96331\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/05\/Guerre-est-finie-Montand.png 921w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/05\/Guerre-est-finie-Montand-300x187.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/05\/Guerre-est-finie-Montand-128x80.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/05\/Guerre-est-finie-Montand-768x479.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/05\/Guerre-est-finie-Montand-433x270.png 433w\" sizes=\"auto, (max-width: 921px) 100vw, 921px\" \/><\/a><\/li>\n<li>Sacha Vierny&#8217;s cinematography<br \/>\n<a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/05\/Guerre-est-finie-Outdoors.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/05\/Guerre-est-finie-Outdoors.png\" alt=\"\" width=\"921\" height=\"574\" class=\"alignnone size-full wp-image-96332\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/05\/Guerre-est-finie-Outdoors.png 921w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/05\/Guerre-est-finie-Outdoors-300x187.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/05\/Guerre-est-finie-Outdoors-128x80.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/05\/Guerre-est-finie-Outdoors-768x479.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/05\/Guerre-est-finie-Outdoors-433x270.png 433w\" sizes=\"auto, (max-width: 921px) 100vw, 921px\" \/><\/a><\/li>\n<\/ul>\n<p><strong>Must See? <\/strong><br \/>\nNo, but it&#8217;s worth a look. Listed as a Personal Recommendation in the back of Peary&#8217;s book. <\/p>\n<p><strong>Links: <\/strong><\/p>\n<ul>\n<li><a href=\"https:\/\/www.imdb.com\/title\/tt0060481\/\">IMDb entry<\/a><\/li>\n<li><a href=\"https:\/\/news.google.com\/newspapers?id=NhAQAAAAIBAJ&#038;sjid=KYwDAAAAIBAJ&#038;pg=1880%2C564110\">Village Voice Review<\/a><\/li>\n<li><a href=\"https:\/\/www.dvdtalk.com\/dvdsavant\/s187guerre.html\">DVD Savant Review<\/a><\/li>\n<li><a href=\"https:\/\/www.newyorker.com\/culture\/the-front-row\/alain-resnaiss-la-guerre-est-finie-reviewed-turning-genre-conventions-into-intellectual-adventure\">New Yorker Review<\/a><\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;Spain is no longer the dream of 1936 but the truth of 1965.&#8221; Synopsis: A middle-aged revolutionary (Yves Montand) fighting against Fascism in Spain tries to decide whether to retire with his lover (Ingrid Thulin) or continue supporting the cause &#8212; a choice made even more difficult when the beautiful young daughter (Genevi\u00e8ve Bujold) of a compatriot makes herself available to him. Genres, Themes, Actors, and Directors: Alain Resnais Films French Films Genevieve Bujold Films Mistaken and Hidden Identities Revolutionaries&#8230;<\/p>\n<p class=\"read-more\"><a class=\"btn btn-default\" href=\"https:\/\/filmfanatic.org\/?p=96323\"> Read More<span class=\"screen-reader-text\">  Read More<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[1],"tags":[],"class_list":["post-96323","post","type-post","status-publish","format-standard","hentry","category-reviews"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 4.9.9 - aioseo.com -->\n\t<meta name=\"description\" content=\"&quot;Spain is no longer the dream of 1936 but the truth of 1965.&quot; Synopsis: A middle-aged revolutionary (Yves Montand) fighting against Fascism in Spain tries to decide whether to retire with his lover (Ingrid Thulin) or continue supporting the cause -- a choice made even more difficult when the beautiful young daughter (Genevi\u00e8ve Bujold) of\" \/>\n\t<meta name=\"robots\" content=\"max-image-preview:large\" \/>\n\t<meta name=\"author\" content=\"admin\"\/>\n\t<link rel=\"canonical\" href=\"https:\/\/filmfanatic.org\/?p=96323\" \/>\n\t<meta name=\"generator\" content=\"All in One SEO (AIOSEO) 4.9.9\" \/>\n\t\t<meta property=\"og:locale\" content=\"en_US\" \/>\n\t\t<meta property=\"og:site_name\" content=\"FilmFanatic.org - 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