{"id":94926,"date":"2024-01-13T23:24:34","date_gmt":"2024-01-14T06:24:34","guid":{"rendered":"https:\/\/filmfanatic.org\/?p=94926"},"modified":"2024-01-13T23:24:34","modified_gmt":"2024-01-14T06:24:34","slug":"organizer-the-1963","status":"publish","type":"post","link":"https:\/\/filmfanatic.org\/?p=94926","title":{"rendered":"Organizer, The (1963)"},"content":{"rendered":"<p><strong>&#8220;Friends, it&#8217;s not true: we haven&#8217;t lost. This is only the darkest hour.&#8221;<\/strong><\/p>\n<table>\n<tr>\n<td>\n<p><a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/I-Compagni-Poster.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/I-Compagni-Poster-206x300.png\" alt=\"\" width=\"206\" height=\"300\" class=\"alignleft size-medium wp-image-94928\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/I-Compagni-Poster-206x300.png 206w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/I-Compagni-Poster-88x128.png 88w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/I-Compagni-Poster-186x270.png 186w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/I-Compagni-Poster.png 415w\" sizes=\"auto, (max-width: 206px) 100vw, 206px\" \/><\/a><\/p>\n<p><strong>Synopsis:<\/strong><br \/>\nIn late 1800s Turin, workers at a textile factory are inspired by a visiting &#8220;professor&#8221; (Marcello Mastroianni) to collectivize and strike for better conditions.\n<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td>\n<p>\n<strong>Genres, Themes, Actors, and Directors:<\/strong><\/p>\n<ul>\n<li>Historical Drama<\/li>\n<li>Italian Films<\/li>\n<li>Labor Movements<\/li>\n<li>Marcello Mastroianni Films<\/li>\n<li>Workplace Drama<\/li>\n<\/ul>\n<p><strong>Review: <\/strong><br \/>\nNominated for an Oscar for Best Original Screenplay and debuting at the 35th Congress of the Italian Socialist Party, this serio-comedy about disastrous workers&#8217; conditions back before unionization &#8212; including 14 hour work days, no accident insurance, unsafe working conditions, and only a half-hour lunch break &#8212; tells a sobering yet ultimately uplifting tale of workers coming together to stand up for their rights. We see the harshness of their living and work conditions: <\/p>\n<p><a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Lunch.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Lunch-1024x553.png\" alt=\"\" width=\"640\" height=\"346\" class=\"alignnone size-large wp-image-94945\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Lunch-1024x553.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Lunch-300x162.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Lunch-128x69.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Lunch-768x414.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Lunch-1536x829.png 1536w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Lunch-500x270.png 500w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Lunch.png 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/p>\n<p>&#8230; as well as how intimidating it is to stand up to the dismissive and patronizing bosses at their company: <\/p>\n<p><a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Big-Bosses.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Big-Bosses-1024x553.png\" alt=\"\" width=\"640\" height=\"346\" class=\"alignnone size-large wp-image-94938\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Big-Bosses-1024x553.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Big-Bosses-300x162.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Big-Bosses-128x69.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Big-Bosses-768x414.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Big-Bosses-1536x829.png 1536w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Big-Bosses-500x270.png 500w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Big-Bosses.png 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/p>\n<p>&#8230; and the challenges that arise when a visiting worker in much more dire straits insists he has no choice but to be a scab. <\/p>\n<p><a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Scab.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Scab-1024x553.png\" alt=\"\" width=\"640\" height=\"346\" class=\"alignnone size-large wp-image-94939\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Scab-1024x553.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Scab-300x162.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Scab-128x69.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Scab-768x414.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Scab-1536x829.png 1536w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Scab-500x270.png 500w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Scab.png 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/p>\n<p>Mastroianni&#8217;s role throughout is a crucial one, playing a seemingly meek yet actually headstrong force who knows that he must act with deliberation and relational savvy at all times. <\/p>\n<p><a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Mastroianni2.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Mastroianni2-1024x553.png\" alt=\"\" width=\"640\" height=\"346\" class=\"alignnone size-large wp-image-94940\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Mastroianni2-1024x553.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Mastroianni2-300x162.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Mastroianni2-128x69.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Mastroianni2-768x414.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Mastroianni2-1536x829.png 1536w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Mastroianni2-500x270.png 500w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Mastroianni2.png 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/p>\n<p>The cinematography, historic sets, and ensemble cast all add to the film&#8217;s air of bleak realism, helping us imagine we&#8217;re really there during this time.<\/p>\n<p><a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Food-Line.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Food-Line-1024x553.png\" alt=\"\" width=\"640\" height=\"346\" class=\"alignnone size-large wp-image-94943\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Food-Line-1024x553.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Food-Line-300x162.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Food-Line-128x69.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Food-Line-768x414.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Food-Line-1536x829.png 1536w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Food-Line-500x270.png 500w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Food-Line.png 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/p>\n<p>I was interested to read in <a href=\"https:\/\/www.criterion.com\/current\/posts\/2268-the-organizer-description-of-a-struggle\">J. Hoberman&#8217;s essay for Criterion<\/a> the following about director Mario Monicelli, whose only other film I&#8217;ve seen was the featherweight heist caper <a href=\"https:\/\/filmfanatic.org\/?p=82666\"><em>Big Deal on Madonna Street<\/em> (1958)<\/a>: <\/p>\n<blockquote><p>&#8220;[He was] the son of a political journalist who moved from socialism to anarcho-syndicalism to fascism (briefly) to antifascism, and who also founded Italy\u2019s first film journal, [and] is best known for his socially aware tragi\u00adcomedies. Still, his oeuvre is not easily synopsized. He directed some sixty films and wrote or cowrote more than seventy over the course of a career that began in 1935 with a precocious 16 mm feature based&#8230; on Ferenc Moln\u00e1r\u2019s novel <em>The Paul Street Boys<\/em> and ended seven decades later, when he was ninety-one, with <em>The Roses of the Desert<\/em> (2006), a comedy about an Italian medical unit sent to Libya in 1940.&#8221;<\/p><\/blockquote>\n<p>I haven&#8217;t seen enough of Monicelli&#8217;s titles to say, but I would venture to guess that this remains one of his most potent &#8212; and still relevant &#8212; outings. It&#8217;s well worth a look. Watch for several familiar faces from Italian cinema of the time, including Renato Salvatori: <\/p>\n<p><a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Salvatori2.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Salvatori2-1024x553.png\" alt=\"\" width=\"640\" height=\"346\" class=\"alignnone size-large wp-image-94948\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Salvatori2-1024x553.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Salvatori2-300x162.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Salvatori2-128x69.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Salvatori2-768x414.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Salvatori2-1536x829.png 1536w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Salvatori2-500x270.png 500w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Salvatori2.png 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/p>\n<p>&#8230; and Annie Girardot (both from <a href=\"https:\/\/filmfanatic.org\/?p=93876\"><em>Rocco and His Brothers<\/em><\/a>). <\/p>\n<p><a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Girardot.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Girardot-1024x553.png\" alt=\"\" width=\"640\" height=\"346\" class=\"alignnone size-large wp-image-94949\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Girardot-1024x553.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Girardot-300x162.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Girardot-128x69.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Girardot-768x414.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Girardot-1536x829.png 1536w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Girardot-500x270.png 500w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Girardot.png 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/p>\n<p><strong>Notable Performances, Qualities, and Moments:<\/strong><\/p>\n<ul>\n<li>Marcello Mastroianni as the Professor<br \/>\n<a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Mastroianni.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Mastroianni-1024x553.png\" alt=\"\" width=\"640\" height=\"346\" class=\"alignnone size-large wp-image-94934\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Mastroianni-1024x553.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Mastroianni-300x162.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Mastroianni-128x69.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Mastroianni-768x414.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Mastroianni-1536x829.png 1536w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Mastroianni-500x270.png 500w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Mastroianni.png 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/li>\n<li>Fine performances by the ensemble cast<br \/>\n<a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Ensemble.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Ensemble-1024x553.png\" alt=\"\" width=\"640\" height=\"346\" class=\"alignnone size-large wp-image-94936\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Ensemble-1024x553.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Ensemble-300x162.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Ensemble-128x69.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Ensemble-768x414.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Ensemble-1536x829.png 1536w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Ensemble-500x270.png 500w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Ensemble.png 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/li>\n<li>Excellent use of real-life locales<br \/>\n<a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Factory.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Factory-1024x553.png\" alt=\"\" width=\"640\" height=\"346\" class=\"alignnone size-large wp-image-94933\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Factory-1024x553.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Factory-300x162.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Factory-128x69.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Factory-768x414.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Factory-1536x829.png 1536w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Factory-500x270.png 500w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Factory.png 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/li>\n<li>Giuseppe Rotunno&#8217;s cinematography<br \/>\n<a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Cinematography2.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Cinematography2-1024x553.png\" alt=\"\" width=\"640\" height=\"346\" class=\"alignnone size-large wp-image-94931\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Cinematography2-1024x553.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Cinematography2-300x162.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Cinematography2-128x69.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Cinematography2-768x414.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Cinematography2-1536x829.png 1536w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Cinematography2-500x270.png 500w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2024\/01\/Organizer-Cinematography2.png 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/li>\n<\/ul>\n<p><strong>Must See? <\/strong><br \/>\nYes, as a good show on an important topic. <\/p>\n<p><strong>Categories<\/strong><\/p>\n<ul>\n<li>Good Show<\/li>\n<\/ul>\n<p><strong>Links: <\/strong><\/p>\n<ul>\n<li><a href=\"https:\/\/www.imdb.com\/title\/tt0056945\/\">IMDb entry<\/a><\/li>\n<li><a href=\"https:\/\/www.dvdtalk.com\/dvdsavant\/s3861orga.html\">DVD Savant Review<\/a><\/li>\n<li><a href=\"https:\/\/www.criterion.com\/current\/posts\/2268-the-organizer-description-of-a-struggle\">Criterion Essay (by J. Hoberman)<\/a><\/li>\n<li><a href=\"https:\/\/www.nytimes.com\/1964\/05\/07\/archives\/the-organizer-opens-at-coronet-theater.html\">NY Times Original Review<\/a><\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;Friends, it&#8217;s not true: we haven&#8217;t lost. This is only the darkest hour.&#8221; Synopsis: In late 1800s Turin, workers at a textile factory are inspired by a visiting &#8220;professor&#8221; (Marcello Mastroianni) to collectivize and strike for better conditions. Genres, Themes, Actors, and Directors: Historical Drama Italian Films Labor Movements Marcello Mastroianni Films Workplace Drama Review: Nominated for an Oscar for Best Original Screenplay and debuting at the 35th Congress of the Italian Socialist Party, this serio-comedy about disastrous workers&#8217; conditions&#8230;<\/p>\n<p class=\"read-more\"><a class=\"btn btn-default\" href=\"https:\/\/filmfanatic.org\/?p=94926\"> Read More<span class=\"screen-reader-text\">  Read More<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[1],"tags":[],"class_list":["post-94926","post","type-post","status-publish","format-standard","hentry","category-reviews"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 4.9.9 - aioseo.com -->\n\t<meta name=\"description\" content=\"&quot;Friends, it&#039;s not true: we haven&#039;t lost. 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This is only the darkest hour.&quot; Synopsis: In late 1800s Turin, workers at a textile factory are inspired by a visiting &quot;professor&quot; (Marcello Mastroianni) to collectivize and strike for better conditions. Genres, Themes, Actors, and Directors: Historical Drama Italian Films Labor Movements Marcello Mastroianni Films Workplace Drama Review:\" \/>\n\t\t<meta property=\"og:url\" content=\"https:\/\/filmfanatic.org\/?p=94926\" \/>\n\t\t<meta property=\"article:published_time\" content=\"2024-01-14T06:24:34+00:00\" \/>\n\t\t<meta property=\"article:modified_time\" content=\"2024-01-14T06:24:34+00:00\" \/>\n\t\t<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n\t\t<meta name=\"twitter:title\" content=\"Organizer, The (1963) - FilmFanatic.org\" \/>\n\t\t<meta name=\"twitter:description\" content=\"&quot;Friends, it&#039;s not true: we haven&#039;t lost. This is only the darkest hour.&quot; Synopsis: In late 1800s Turin, workers at a textile factory are inspired by a visiting &quot;professor&quot; (Marcello Mastroianni) to collectivize and strike for better conditions. 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