{"id":94235,"date":"2023-12-23T15:59:41","date_gmt":"2023-12-23T22:59:41","guid":{"rendered":"https:\/\/filmfanatic.org\/?p=94235"},"modified":"2024-02-04T00:31:22","modified_gmt":"2024-02-04T07:31:22","slug":"cartouche-1962","status":"publish","type":"post","link":"https:\/\/filmfanatic.org\/?p=94235","title":{"rendered":"Cartouche (1962)"},"content":{"rendered":"<p><strong>&#8220;They obey me from one end of Paris to the other.&#8221;<\/strong><\/p>\n<table>\n<tr>\n<td>\n<p><a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/12\/Cartouche-Poster.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/12\/Cartouche-Poster-199x300.png\" alt=\"\" width=\"199\" height=\"300\" class=\"alignleft size-medium wp-image-94237\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/12\/Cartouche-Poster-199x300.png 199w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/12\/Cartouche-Poster-85x128.png 85w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/12\/Cartouche-Poster-179x270.png 179w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/12\/Cartouche-Poster.png 416w\" sizes=\"auto, (max-width: 199px) 100vw, 199px\" \/><\/a><\/p>\n<p><strong>Synopsis:<\/strong><br \/>\nIn 18th century France, a swashbuckling thief (Jean-Paul Belmondo) travels with his accomplices and his new wife Venus (Claudia Cardinale) to Paris, where they begin robbing from the rich and distributing to the poor &#8212; but things get much more complicated when &#8220;Cartouche&#8221; (Belmondo) falls for a beautiful noblewoman (Odile Versois).\n<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td>\n<p>\n<strong>Genres, Themes, Actors, and Directors:<\/strong><\/p>\n<ul>\n<li>Claudia Cardinale Films<\/li>\n<li>French Films<\/li>\n<li>Historical Drama<\/li>\n<li>Jean-Paul Belmondo Films<\/li>\n<li>Love Triangle<\/li>\n<li>Royalty and Nobility<\/li>\n<li>Thieves and Criminals<\/li>\n<\/ul>\n<p><strong>Review: <\/strong><br \/>\nPhilippe de Broca &#8212; perhaps best known for helming cult favorite <a href=\"https:\/\/filmfanatic.org\/?p=2889\"><em>King of Hearts<\/em> (1966)<\/a> &#8212; directed this high-spirited historical adventure flick, <a href=\"https:\/\/www.nytimes.com\/1964\/07\/22\/archives\/screen-new-art-house-opens-with-cartouchethe-lincoln-presents.html\">described by the <em>New York Times<\/em> reviewer<\/a> as offering up &#8220;colorful, illustrating legendary footnotes to French history that should keep action fans, romantics and comedy connoisseurs happy even if it confuses the historians.&#8221; Indeed, one shouldn&#8217;t look for historical accuracy of any kind here &#8212; but the production design is appropriately lush, and one feels plopped directly into the era. <\/p>\n<p><a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/12\/Cartouche-Lady.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/12\/Cartouche-Lady.png\" alt=\"\" width=\"1285\" height=\"553\" class=\"alignnone size-full wp-image-94278\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/12\/Cartouche-Lady.png 1285w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/12\/Cartouche-Lady-300x129.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/12\/Cartouche-Lady-1024x441.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/12\/Cartouche-Lady-128x55.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/12\/Cartouche-Lady-768x331.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/12\/Cartouche-Lady-604x260.png 604w\" sizes=\"auto, (max-width: 1285px) 100vw, 1285px\" \/><\/a><\/p>\n<p>A year before starring in Fellini&#8217;s <a href=\"https:\/\/filmfanatic.org\/?p=94960\"><em>8 1\/2<\/em> (1963)<\/a>, Cardinale played luscious Venus, a gypsy whose willingness to overlook her partner&#8217;s openly roving eye strains credulity yet somehow works anyway; thankfully, her character is given an appropriately satisfying arc. <\/p>\n<p><a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/12\/Cartouche-Cardinale.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/12\/Cartouche-Cardinale.png\" alt=\"\" width=\"1287\" height=\"545\" class=\"alignnone size-full wp-image-94271\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/12\/Cartouche-Cardinale.png 1287w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/12\/Cartouche-Cardinale-300x127.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/12\/Cartouche-Cardinale-1024x434.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/12\/Cartouche-Cardinale-128x54.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/12\/Cartouche-Cardinale-768x325.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/12\/Cartouche-Cardinale-604x256.png 604w\" sizes=\"auto, (max-width: 1287px) 100vw, 1287px\" \/><\/a> <\/p>\n<p>Belmondo, meanwhile &#8212; who seems to have participated in a remarkable number of films during the early 1960s &#8212; is able to put his rascally Godardian persona to good use (and did all his own stunts). <\/p>\n<p><a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/12\/Cartouche-Belmondo.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/12\/Cartouche-Belmondo.png\" alt=\"\" width=\"1287\" height=\"551\" class=\"alignnone size-full wp-image-94272\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/12\/Cartouche-Belmondo.png 1287w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/12\/Cartouche-Belmondo-300x128.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/12\/Cartouche-Belmondo-1024x438.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/12\/Cartouche-Belmondo-128x55.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/12\/Cartouche-Belmondo-768x329.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/12\/Cartouche-Belmondo-604x259.png 604w\" sizes=\"auto, (max-width: 1287px) 100vw, 1287px\" \/><\/a><\/p>\n<p>While it&#8217;s easy to see why he would fall for beautiful Versois: <\/p>\n<p><a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/12\/Cartouche-Versois.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/12\/Cartouche-Versois.png\" alt=\"\" width=\"1275\" height=\"557\" class=\"alignnone size-full wp-image-94273\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/12\/Cartouche-Versois.png 1275w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/12\/Cartouche-Versois-300x131.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/12\/Cartouche-Versois-1024x447.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/12\/Cartouche-Versois-128x56.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/12\/Cartouche-Versois-768x336.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/12\/Cartouche-Versois-604x264.png 604w\" sizes=\"auto, (max-width: 1275px) 100vw, 1275px\" \/><\/a><\/p>\n<p>&#8230; it does get complicated keeping our loyalties straight. Regardless, fans of this type of fare will likely not be disappointed (though viewers should be forewarned that there&#8217;s a highly distressing, lengthy waterboarding sequence included at one point).  <\/p>\n<p><a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/12\/Cartouche-Waterboarding.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/12\/Cartouche-Waterboarding.png\" alt=\"\" width=\"1277\" height=\"557\" class=\"alignnone size-full wp-image-94276\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/12\/Cartouche-Waterboarding.png 1277w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/12\/Cartouche-Waterboarding-300x131.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/12\/Cartouche-Waterboarding-1024x447.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/12\/Cartouche-Waterboarding-128x56.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/12\/Cartouche-Waterboarding-768x335.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/12\/Cartouche-Waterboarding-604x263.png 604w\" sizes=\"auto, (max-width: 1277px) 100vw, 1277px\" \/><\/a><\/p>\n<p><strong>Notable Performances, Qualities, and Moments:<\/strong><\/p>\n<ul>\n<li>Jean-Paul Belmondo and Claudia Cardinale as Cartouche and Venus<br \/>\n<a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/12\/Cartouche-Painting.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/12\/Cartouche-Painting-1024x434.png\" alt=\"\" width=\"640\" height=\"271\" class=\"alignnone size-large wp-image-94243\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/12\/Cartouche-Painting-1024x434.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/12\/Cartouche-Painting-300x127.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/12\/Cartouche-Painting-128x54.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/12\/Cartouche-Painting-768x326.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/12\/Cartouche-Painting-604x256.png 604w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/12\/Cartouche-Painting.png 1285w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/li>\n<li>Lovely cinematography and production design<br \/>\n<a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/12\/Cartouche-Hanging.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/12\/Cartouche-Hanging-1024x432.png\" alt=\"\" width=\"640\" height=\"270\" class=\"alignnone size-large wp-image-94241\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/12\/Cartouche-Hanging-1024x432.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/12\/Cartouche-Hanging-300x127.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/12\/Cartouche-Hanging-128x54.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/12\/Cartouche-Hanging-768x324.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/12\/Cartouche-Hanging-604x255.png 604w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/12\/Cartouche-Hanging.png 1297w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><br \/>\n<a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/12\/Cartouche-Cinematography.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/12\/Cartouche-Cinematography.png\" alt=\"\" width=\"1289\" height=\"553\" class=\"alignnone size-full wp-image-94242\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/12\/Cartouche-Cinematography.png 1289w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/12\/Cartouche-Cinematography-300x129.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/12\/Cartouche-Cinematography-1024x439.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/12\/Cartouche-Cinematography-128x55.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/12\/Cartouche-Cinematography-768x329.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/12\/Cartouche-Cinematography-604x259.png 604w\" sizes=\"auto, (max-width: 1289px) 100vw, 1289px\" \/><\/a><\/li>\n<\/ul>\n<p><strong>Must See? <\/strong><br \/>\nNo, but it&#8217;s worth a look if you enjoy this kind of drama and\/or Belmondo or Cardinale. <\/p>\n<p><strong>Links: <\/strong><\/p>\n<ul>\n<li><a href=\"https:\/\/www.imdb.com\/title\/tt0055832\/\">IMDb entry<\/a><\/li>\n<li><a href=\"https:\/\/www.nytimes.com\/1964\/07\/22\/archives\/screen-new-art-house-opens-with-cartouchethe-lincoln-presents.html\">NY Times Original Review<\/a><\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;They obey me from one end of Paris to the other.&#8221; Synopsis: In 18th century France, a swashbuckling thief (Jean-Paul Belmondo) travels with his accomplices and his new wife Venus (Claudia Cardinale) to Paris, where they begin robbing from the rich and distributing to the poor &#8212; but things get much more complicated when &#8220;Cartouche&#8221; (Belmondo) falls for a beautiful noblewoman (Odile Versois). Genres, Themes, Actors, and Directors: Claudia Cardinale Films French Films Historical Drama Jean-Paul Belmondo Films Love Triangle&#8230;<\/p>\n<p class=\"read-more\"><a class=\"btn btn-default\" href=\"https:\/\/filmfanatic.org\/?p=94235\"> Read More<span class=\"screen-reader-text\">  Read More<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[1],"tags":[],"class_list":["post-94235","post","type-post","status-publish","format-standard","hentry","category-reviews"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 4.9.9 - aioseo.com -->\n\t<meta name=\"description\" content=\"&quot;They obey me from one end of Paris to the other.&quot; Synopsis: In 18th century France, a swashbuckling thief (Jean-Paul Belmondo) travels with his accomplices and his new wife Venus (Claudia Cardinale) to Paris, where they begin robbing from the rich and distributing to the poor -- but things get much more complicated when &quot;Cartouche&quot;\" \/>\n\t<meta name=\"robots\" content=\"max-image-preview:large\" \/>\n\t<meta name=\"author\" content=\"admin\"\/>\n\t<link rel=\"canonical\" href=\"https:\/\/filmfanatic.org\/?p=94235\" \/>\n\t<meta name=\"generator\" content=\"All in One SEO (AIOSEO) 4.9.9\" \/>\n\t\t<meta property=\"og:locale\" content=\"en_US\" \/>\n\t\t<meta property=\"og:site_name\" content=\"FilmFanatic.org - 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