{"id":93391,"date":"2023-11-23T01:17:25","date_gmt":"2023-11-23T08:17:25","guid":{"rendered":"https:\/\/filmfanatic.org\/?p=93391"},"modified":"2024-06-16T12:04:58","modified_gmt":"2024-06-16T19:04:58","slug":"coogans-bluff-1968","status":"publish","type":"post","link":"https:\/\/filmfanatic.org\/?p=93391","title":{"rendered":"Coogan&#8217;s Bluff (1968)"},"content":{"rendered":"<p><strong>&#8220;Nobody calls me mister with my boots off.&#8221;<\/strong><\/p>\n<table>\n<tr>\n<td>\n<p><a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/11\/Coogans-Bluff-Poster.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/11\/Coogans-Bluff-Poster-199x300.png\" alt=\"\" width=\"199\" height=\"300\" class=\"alignleft size-medium wp-image-93392\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/11\/Coogans-Bluff-Poster-199x300.png 199w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/11\/Coogans-Bluff-Poster-85x128.png 85w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/11\/Coogans-Bluff-Poster-179x270.png 179w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/11\/Coogans-Bluff-Poster.png 630w\" sizes=\"auto, (max-width: 199px) 100vw, 199px\" \/><\/a><\/p>\n<p><strong>Synopsis:<\/strong><br \/>\nWhen an Arizona sheriff (Clint Eastwood) arrives in New York City to chase down a fugitive (Don Stroud), he encounters surprising resistance from a police detective (Lee J. Cobb), and woos a social worker (Susan Clark) to help track Stroud through one of his followers (Tisha Sterling).\n<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td>\n<p>\n<strong>Genres, Themes, Actors, and Directors:<\/strong><\/p>\n<ul>\n<li>Betty Field Films<\/li>\n<li>Clint Eastwood Films<\/li>\n<li>Don Siegel Films<\/li>\n<li>Fugitives<\/li>\n<li>Lee J. Cobb Films<\/li>\n<li>Sheriffs and Marshals<\/li>\n<li>Susan Clark Films<\/li>\n<\/ul>\n<p><strong>Response to Peary&#8217;s Review: <\/strong><br \/>\nPeary points out that while &#8220;Clint Eastwood still wore a cowboy hat in Don Siegel&#8217;s taut, violent film&#8221; (their first of five movies together), &#8220;it was his first attempt to move into contemporary times.&#8221; He adds, as &#8220;a predecessor to <a href=\"https:\/\/filmfanatic.org\/?p=5347\">Dirty Harry Callahan<\/a>, Coogan was Eastwood&#8217;s first character to be upset by the hedonistic decadence and crime of the cities, and frustrated by the ineffectiveness of urban police departments, where everything must go through proper channels.&#8221; <\/p>\n<p><a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/11\/Coogan-Prison.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/11\/Coogan-Prison-1024x561.png\" alt=\"\" width=\"640\" height=\"351\" class=\"alignnone size-large wp-image-93397\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/11\/Coogan-Prison-1024x561.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/11\/Coogan-Prison-300x164.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/11\/Coogan-Prison-128x70.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/11\/Coogan-Prison-768x421.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/11\/Coogan-Prison-493x270.png 493w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/11\/Coogan-Prison.png 1170w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/p>\n<p>Because he gets &#8220;no help from the NYPD, he employs roughshod tactics used by lawmen in the west since the 19th century and, though he ruffles a few feathers, is able to carry out his mission.&#8221; Naturally, &#8220;along the way he is charmed by&#8221; and\/or beds various women, including a social worker (Susan Clark) and &#8220;the bad guy&#8217;s girlfriend (Tisha Sterling).&#8221; <\/p>\n<p><a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/11\/Coogan-Sterling.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/11\/Coogan-Sterling-1024x569.png\" alt=\"\" width=\"640\" height=\"356\" class=\"alignnone size-large wp-image-93398\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/11\/Coogan-Sterling-1024x569.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/11\/Coogan-Sterling-300x167.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/11\/Coogan-Sterling-128x71.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/11\/Coogan-Sterling-768x427.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/11\/Coogan-Sterling-486x270.png 486w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/11\/Coogan-Sterling-1038x576.png 1038w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/11\/Coogan-Sterling.png 1172w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/p>\n<p>Peary doesn&#8217;t provide much more critique of this film in his <em>GFTFF<\/em> &#8212; but <a href=\"https:\/\/www.dvdtalk.com\/dvdsavant\/s1307coog.html\">DVD Savant<\/a> bluntly refers to it as &#8220;a wince-inducing fossil that nevertheless struck a solid chord with 1968&#8217;s &#8216;silent majority&#8217;,&#8221; noting that it &#8220;was beautifully engineered to cut through the socio-political confusion of 1968, when conservatives feared that riots, assassinations, protests and a wild new youth drug culture were spelling an end to Western civilization.&#8221; <\/p>\n<p><a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/11\/Coogan-Hat.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/11\/Coogan-Hat-1024x566.png\" alt=\"\" width=\"640\" height=\"354\" class=\"alignnone size-large wp-image-93403\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/11\/Coogan-Hat-1024x566.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/11\/Coogan-Hat-300x166.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/11\/Coogan-Hat-128x71.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/11\/Coogan-Hat-768x425.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/11\/Coogan-Hat-488x270.png 488w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/11\/Coogan-Hat-1038x576.png 1038w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/11\/Coogan-Hat.png 1420w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/p>\n<p>Meanwhile, poor Susan Clark&#8217;s Julie is &#8220;a sad character indeed;&#8221; she&#8217;s terribly used here (both by Eastwood and by the script). Faring somewhat better is Sterling&#8217;s pixie hippie, and Betty Field in a bit role (her last) as Stroud&#8217;s sassy mother. <\/p>\n<p><strong>Notable Performances, Qualities, and Moments: <\/strong><\/p>\n<ul>\n<li>Good use of location shooting across New York<br \/>\n<a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/11\/Coogan-Location.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/11\/Coogan-Location-1024x552.png\" alt=\"\" width=\"640\" height=\"345\" class=\"alignnone size-large wp-image-93394\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/11\/Coogan-Location-1024x552.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/11\/Coogan-Location-300x162.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/11\/Coogan-Location-128x69.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/11\/Coogan-Location-768x414.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/11\/Coogan-Location-501x270.png 501w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/11\/Coogan-Location.png 1170w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/li>\n<li>Luminous Tisha Sterling as Linny Raven<br \/>\n<a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/11\/Coogan-Sterling2.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/11\/Coogan-Sterling2-1024x560.png\" alt=\"\" width=\"640\" height=\"350\" class=\"alignnone size-large wp-image-93400\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/11\/Coogan-Sterling2-1024x560.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/11\/Coogan-Sterling2-300x164.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/11\/Coogan-Sterling2-128x70.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/11\/Coogan-Sterling2-768x420.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/11\/Coogan-Sterling2-493x270.png 493w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/11\/Coogan-Sterling2.png 1175w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/li>\n<li>Betty Field in a tiny role as Ellen Ringerman<br \/>\n<a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/11\/Coogan-Field.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/11\/Coogan-Field-1024x560.png\" alt=\"\" width=\"640\" height=\"350\" class=\"alignnone size-large wp-image-93395\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/11\/Coogan-Field-1024x560.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/11\/Coogan-Field-300x164.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/11\/Coogan-Field-128x70.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/11\/Coogan-Field-768x420.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/11\/Coogan-Field-494x270.png 494w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/11\/Coogan-Field.png 1168w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/li>\n<li>The exciting motorcycle chase sequence<br \/>\n<a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/11\/Coogan-Motorcycles.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/11\/Coogan-Motorcycles-1024x562.png\" alt=\"\" width=\"640\" height=\"351\" class=\"alignnone size-large wp-image-93396\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/11\/Coogan-Motorcycles-1024x562.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/11\/Coogan-Motorcycles-300x165.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/11\/Coogan-Motorcycles-128x70.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/11\/Coogan-Motorcycles-768x422.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/11\/Coogan-Motorcycles-492x270.png 492w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/11\/Coogan-Motorcycles.png 1175w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/li>\n<li>Lalo Schifrin&#8217;s score<\/li>\n<\/ul>\n<p><strong>Must See? <\/strong><br \/>\nNo; this one is only must-see for Eastwood fans. <\/p>\n<p><strong>Links: <\/strong><\/p>\n<li><a href=\"https:\/\/www.imdb.com\/title\/tt0062824\/\">IMDb entry<\/a><\/li>\n<li><a href=\"https:\/\/www.nytimes.com\/1968\/10\/03\/archives\/screen-sheriff-eastwood-tangles-with-the-big-city.html\">NY Times Original Review<\/a><\/li>\n<li><a href=\"https:\/\/www.dvdtalk.com\/dvdsavant\/s1307coog.html\">DVD Savant Review<\/a><\/li>\n<\/td>\n<\/tr>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;Nobody calls me mister with my boots off.&#8221; Synopsis: When an Arizona sheriff (Clint Eastwood) arrives in New York City to chase down a fugitive (Don Stroud), he encounters surprising resistance from a police detective (Lee J. Cobb), and woos a social worker (Susan Clark) to help track Stroud through one of his followers (Tisha Sterling). Genres, Themes, Actors, and Directors: Betty Field Films Clint Eastwood Films Don Siegel Films Fugitives Lee J. Cobb Films Sheriffs and Marshals Susan Clark&#8230;<\/p>\n<p class=\"read-more\"><a class=\"btn btn-default\" href=\"https:\/\/filmfanatic.org\/?p=93391\"> Read More<span class=\"screen-reader-text\">  Read More<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[3],"tags":[],"class_list":["post-93391","post","type-post","status-publish","format-standard","hentry","category-responses-to-peary"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 4.9.9 - aioseo.com -->\n\t<meta name=\"description\" content=\"&quot;Nobody calls me mister with my boots off.&quot; Synopsis: When an Arizona sheriff (Clint Eastwood) arrives in New York City to chase down a fugitive (Don Stroud), he encounters surprising resistance from a police detective (Lee J. 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