{"id":90418,"date":"2023-03-13T22:08:44","date_gmt":"2023-03-14T05:08:44","guid":{"rendered":"https:\/\/filmfanatic.org\/?p=90418"},"modified":"2023-03-13T22:15:37","modified_gmt":"2023-03-14T05:15:37","slug":"trial-the-1962","status":"publish","type":"post","link":"https:\/\/filmfanatic.org\/?p=90418","title":{"rendered":"Trial, The (1962)"},"content":{"rendered":"<p><strong>&#8220;I am sane. I am innocent. I have committed no crime!&#8221;<\/strong><\/p>\n<table>\n<tr>\n<td>\n<p><a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Poster.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Poster-202x300.png\" alt=\"\" width=\"202\" height=\"300\" class=\"alignleft size-medium wp-image-90419\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Poster-202x300.png 202w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Poster-86x128.png 86w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Poster-182x270.png 182w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Poster.png 637w\" sizes=\"auto, (max-width: 202px) 100vw, 202px\" \/><\/a><\/p>\n<p><strong>Synopsis:<\/strong><br \/>\nA bureaucrat (Anthony Perkins) accused of a non-specific crime navigates a nightmarish labyrinth while attempting to engage his lawyer (Orson Welles).\n<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td>\n<p>\n<strong>Genres, Themes, Actors, and Directors:<\/strong><\/p>\n<ul>\n<li>Anthony Perkins Films<\/li>\n<li>Courtroom Drama<\/li>\n<li>Falsely Accused<\/li>\n<li>Jeanne Moreau Films <\/li>\n<li>Living Nightmare<\/li>\n<li>Orson Welles Films <\/li>\n<\/ul>\n<p><strong>Response to Peary&#8217;s Review: <\/strong><br \/>\nPeary writes that &#8220;Orson Welles&#8217;s baroque, ambitious telling of <a href=\"https:\/\/en.wikipedia.org\/wiki\/The_Trial\">Franz Kafka&#8217;s comic nightmare<\/a>&#8221; presents &#8220;a dark, decayed, distorted labyrinth-like world, not unlike a combination of the setting found in David Lynch&#8217;s <a href=\"https:\/\/filmfanatic.org\/?p=71285\"><em>Eraserhead<\/em><\/a> and Michael Radford&#8217;s <em>1984<\/em>&#8221; &#8212; and he adds that &#8220;Welles has created a visual tour-de-force that resembles no commercial films of the early sixties but rather the works of surrealists and experimental filmmakers.&#8221; <\/p>\n<p><a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Painting-Law-Library.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Painting-Law-Library-1024x616.png\" alt=\"\" width=\"640\" height=\"385\" class=\"alignnone size-large wp-image-90429\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Painting-Law-Library-1024x616.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Painting-Law-Library-300x180.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Painting-Law-Library-128x77.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Painting-Law-Library-768x462.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Painting-Law-Library-449x270.png 449w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Painting-Law-Library.png 1205w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><br \/>\n<a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-The-Accused.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-The-Accused-1024x616.png\" alt=\"\" width=\"640\" height=\"385\" class=\"alignnone size-large wp-image-90431\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-The-Accused-1024x616.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-The-Accused-300x181.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-The-Accused-128x77.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-The-Accused-768x462.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-The-Accused-449x270.png 449w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-The-Accused.png 1201w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><br \/>\n<a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Eyes2.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Eyes2-1024x623.png\" alt=\"\" width=\"640\" height=\"389\" class=\"alignnone size-large wp-image-90430\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Eyes2-1024x623.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Eyes2-300x183.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Eyes2-128x78.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Eyes2-768x467.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Eyes2-444x270.png 444w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Eyes2.png 1195w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/p>\n<p>Peary argues that &#8220;appropriately, the bizarre events that transpire, all with Josef K. on screen, have the logic of a nightmare,&#8221; which is &#8220;all fascinating stuff, but you may need four or five cups of strong coffee to make it to the end&#8221; &#8212; and even by &#8220;then you may be hopelessly confused.&#8221; I&#8217;ll agree that the film feels a bit over-long, and could probably be reduced by half an hour or so (though that would mess with the integrity of the storyline even more than Welles already did) &#8212; but I disagree that one feels confused. Rather, the story plays out exactly like the nightmarish series of random encounters it is. <\/p>\n<p><a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Painter-Perkins.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Painter-Perkins-1024x621.png\" alt=\"\" width=\"640\" height=\"388\" class=\"alignnone size-large wp-image-90443\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Painter-Perkins-1024x621.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Painter-Perkins-300x182.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Painter-Perkins-128x78.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Painter-Perkins-768x466.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Painter-Perkins-445x270.png 445w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Painter-Perkins.png 1205w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/p>\n<p>Peary further asserts that if Josef &#8220;were more like us and seemed to be disoriented by the strange people he comes across and the strange situation in which he finds himself&#8230; then we could empathize more with him;&#8221; however, as it stands, &#8220;we don&#8217;t really know how to react because he doesn&#8217;t seem too upset himself.&#8221; I once again disagree: Perkins is appropriately haunted and confused for most of the film, just as any of us would be if caught in such a surreal hellscape. <\/p>\n<p><a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Perkins2.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Perkins2-1024x600.png\" alt=\"\" width=\"640\" height=\"375\" class=\"alignnone size-large wp-image-90424\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Perkins2-1024x600.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Perkins2-300x176.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Perkins2-128x75.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Perkins2-768x450.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Perkins2-461x270.png 461w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Perkins2.png 1241w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/p>\n<p>Peary&#8217;s analysis of Welles&#8217; adaptation as turning &#8220;Kafka&#8217;s downer&#8221; into &#8220;a triumph for Man&#8221; &#8212; in which &#8220;Perkins&#8217;s prideful man becomes prideful of being Man&#8221; &#8212; doesn&#8217;t resonate with me either; but then, this is a film that has divided audiences and critics since its inception (and in recent years has been lauded by some as one of his best). Watch for Jeanne Moreau as Josef&#8217;s neighbor: <\/p>\n<p><a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Moreau2.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Moreau2-1024x624.png\" alt=\"\" width=\"640\" height=\"390\" class=\"alignnone size-large wp-image-90433\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Moreau2-1024x624.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Moreau2-300x183.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Moreau2-128x78.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Moreau2-768x468.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Moreau2-443x270.png 443w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Moreau2.png 1197w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/p>\n<p>&#8230; Elsa Martinelli (star of that same year&#8217;s <a href=\"https:\/\/filmfanatic.org\/?p=90393\"><em>Hatari!<\/em><\/a>) as the wife of a courtroom guard: <\/p>\n<p><a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Martinelli2.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Martinelli2-1024x633.png\" alt=\"\" width=\"640\" height=\"396\" class=\"alignnone size-large wp-image-90437\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Martinelli2-1024x633.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Martinelli2-300x185.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Martinelli2-128x79.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Martinelli2-768x475.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Martinelli2-437x270.png 437w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Martinelli2.png 1183w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/p>\n<p>&#8230; Akim Tamiroff as a doomed client of the lawyer (Welles): <\/p>\n<p><a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Tamiroff.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Tamiroff-1024x626.png\" alt=\"\" width=\"640\" height=\"391\" class=\"alignnone size-large wp-image-90439\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Tamiroff-1024x626.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Tamiroff-300x183.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Tamiroff-128x78.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Tamiroff-768x470.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Tamiroff-442x270.png 442w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Tamiroff.png 1199w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/p>\n<p>&#8230; and Remy Schneider as the lawyer&#8217;s lover. <\/p>\n<p><a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Schneider.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Schneider-1024x621.png\" alt=\"\" width=\"640\" height=\"388\" class=\"alignnone size-large wp-image-90435\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Schneider-1024x621.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Schneider-300x182.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Schneider-128x78.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Schneider-768x466.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Schneider-445x270.png 445w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Schneider.png 1205w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/p>\n<p><strong>Notable Performances, Qualities, and Moments: <\/strong><\/p>\n<ul>\n<li>Anthony Perkins as Josef K.<br \/>\n<a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Perkins-Mirror.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Perkins-Mirror-1024x618.png\" alt=\"\" width=\"640\" height=\"386\" class=\"alignnone size-large wp-image-90425\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Perkins-Mirror-1024x618.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Perkins-Mirror-300x181.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Perkins-Mirror-128x77.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Perkins-Mirror-768x464.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Perkins-Mirror-447x270.png 447w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Perkins-Mirror.png 1207w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/li>\n<li>Highly atmospheric sets and art design<br \/>\n<a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Still2.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Still2-1024x625.png\" alt=\"\" width=\"640\" height=\"391\" class=\"alignnone size-large wp-image-90427\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Still2-1024x625.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Still2-300x183.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Still2-128x78.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Still2-768x469.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Still2-443x270.png 443w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Still2.png 1185w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/li>\n<li>Edmond Richard&#8217;s cinematography<br \/>\n<a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Tunnel.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Tunnel-1024x610.png\" alt=\"\" width=\"640\" height=\"381\" class=\"alignnone size-large wp-image-90426\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Tunnel-1024x610.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Tunnel-300x179.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Tunnel-128x76.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Tunnel-768x457.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Tunnel-453x270.png 453w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Tunnel.png 1221w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/li>\n<li>Alexander Alexeieff and Claire Parker&#8217;s &#8220;pin-screen&#8221; animation<br \/>\n<a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Animation.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Animation-1024x615.png\" alt=\"\" width=\"640\" height=\"384\" class=\"alignnone size-large wp-image-90422\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Animation-1024x615.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Animation-300x180.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Animation-128x77.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Animation-768x461.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Animation-449x270.png 449w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/03\/Trial-Animation.png 1197w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a>\n<\/li>\n<\/ul>\n<p><strong>Must See? <\/strong><br \/>\nYes, as a unique and provocative film by a master director. <\/p>\n<p><strong>Categories<\/strong><\/p>\n<ul>\n<li>Important Director<\/li>\n<\/ul>\n<p><strong>Links: <\/strong><\/p>\n<ul>\n<li><a href=\"https:\/\/www.imdb.com\/title\/tt0057427\/\">IMDb entry<\/a><\/li>\n<li><a href=\"https:\/\/www.sfgate.com\/news\/article\/Welles-nightmarish-Trial-3081111.php\">SF Gate Review (Revival) <\/a><\/li>\n<li><a href=\"https:\/\/www.tcm.com\/tcmdb\/title\/93899\/the-trial#articles-reviews?articleId=12691\">TCM Article (spoiler alert) <\/a><\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;I am sane. I am innocent. I have committed no crime!&#8221; Synopsis: A bureaucrat (Anthony Perkins) accused of a non-specific crime navigates a nightmarish labyrinth while attempting to engage his lawyer (Orson Welles). Genres, Themes, Actors, and Directors: Anthony Perkins Films Courtroom Drama Falsely Accused Jeanne Moreau Films Living Nightmare Orson Welles Films Response to Peary&#8217;s Review: Peary writes that &#8220;Orson Welles&#8217;s baroque, ambitious telling of Franz Kafka&#8217;s comic nightmare&#8221; presents &#8220;a dark, decayed, distorted labyrinth-like world, not unlike a&#8230;<\/p>\n<p class=\"read-more\"><a class=\"btn btn-default\" href=\"https:\/\/filmfanatic.org\/?p=90418\"> Read More<span class=\"screen-reader-text\">  Read More<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-90418","post","type-post","status-publish","format-standard","hentry","category-responses-to-peary"],"aioseo_notices":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/posts\/90418","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=90418"}],"version-history":[{"count":16,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/posts\/90418\/revisions"}],"predecessor-version":[{"id":90458,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/posts\/90418\/revisions\/90458"}],"wp:attachment":[{"href":"https:\/\/filmfanatic.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=90418"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=90418"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=90418"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}